NOTE IMDb
6,4/10
7,1 k
MA NOTE
The Monkees sont ballottés dans cette fanfiction circulaire, psychédélique, surréaliste et sans intrigue plutôt sympathique.The Monkees sont ballottés dans cette fanfiction circulaire, psychédélique, surréaliste et sans intrigue plutôt sympathique.The Monkees sont ballottés dans cette fanfiction circulaire, psychédélique, surréaliste et sans intrigue plutôt sympathique.
Davy Jones
- Davy
- (as David Jones)
Histoire
Le saviez-vous
- AnecdotesCo-writer Jack Nicholson actually compiled the film's soundtrack in its final form, with snippets of the film's dialogue between songs, and is so credited on its LP album cover (when he saw Michael Nesmith at work in the studio and asked if he could help, Nesmith let him take over, because he said "I just want to go home."). Nicholson had unwavering enthusiasm for the film, joining in a stickering campaign to promote its premiere and declaring later that "I saw it, like, 158,000,000 times, man. I loved it!"
- GaffesAnnette Funicello's character is called Theresa by Davy Jones before the boxing sequence, but is listed as Minnie in the end credits.
- Citations
Davy Jones, Micky Dolenz, Mike Nesmith, Peter Tork: [chanting in unison] Hey, hey, we are The Monkees, to that we all agree. A manufactured image with no philosophies.
- Crédits fousThere are no credits at the beginning at the film, which was extremely rare for a 1960s film. They all appear at the end of the film.
- Versions alternativesWhen the film was previewed in August 1968, its original cut ran about 110 mins. It was trimmed down to 86 mins. for the premiere.
- ConnexionsEdited from Le signe de la croix (1932)
Commentaire à la une
You would really need to remember the Monkees and have a clear understanding as to where and how they fitted into the second half of the 1960s in order to fully appreciate this movie.
There is no plot as such. Basically, it's a crazy, mixed up pastiche of various, unrelated sequences. But, it IS interesting AND entertaining in its own peculiar way once you get onto its wavelength. In short, it was a classic, cleverly conceived and well crafted example of late '60s experimental cinema. It contains some good songs, some ultra-groovy cinematography and plenty of other worthwhile ideas in terms of film technique.
I give it 8 out of 10 for several reasons. First, it took a lot of courage to make such an unorthodox movie in the commercial mainstream where both its stars and its producers were firmly ensconced at the time (whether they liked it or not). It seems that almost everyone who was associated with the project (with the exception of Columbia who paid for it) knew that it was probably not going to be a big money maker. Their reasons for wanting to do it were as unorthodox as the film itself. Secondly, it was, for the most part, a creative success. And, finally, as already mentioned, it is, unquestionably, a classic of the genre and, as such, it is now historically important.
Unfortunately, "Head" came too late in the Monkees career. But, there again, they wouldn't have been allowed to make it earlier on because it was essentially a very pointed and cynical satire of their own image.
Clearly, the members of the group knew, only too well, that the whole Monkeemania thing had pretty well run its course when they started work on this movie. In a way, it was to be their swan song and they were determined to let it all hang out. They were tired of being treated like mere pawns in the high powered corporate game in which they had been manipulated and exploited over the preceding few years. In short, they "wanted out" and they were going to say a few things before they left.
History, however, has vindicated the band. Let the critics be damned. The Monkees, left behind some of the best, most polished and successful pop records of the decade. Yes, they had plenty of help. But at the end of the day, THEY stood in front of the studio mikes, THEY fronted the movie and TV cameras and THEY did the concerts. They were fun and just a little bit crazy. But, unlike some of their contemporaries, they were never threatening. You could safely introduce a Monkey to your elderly aunt.
"Head" probably borrows a bit too heavily from the Beatles "Hard Day's Night" but it's still worth another look for those who were around at the time or for younger retro fans who can appreciate its significance.
Enjoy!
There is no plot as such. Basically, it's a crazy, mixed up pastiche of various, unrelated sequences. But, it IS interesting AND entertaining in its own peculiar way once you get onto its wavelength. In short, it was a classic, cleverly conceived and well crafted example of late '60s experimental cinema. It contains some good songs, some ultra-groovy cinematography and plenty of other worthwhile ideas in terms of film technique.
I give it 8 out of 10 for several reasons. First, it took a lot of courage to make such an unorthodox movie in the commercial mainstream where both its stars and its producers were firmly ensconced at the time (whether they liked it or not). It seems that almost everyone who was associated with the project (with the exception of Columbia who paid for it) knew that it was probably not going to be a big money maker. Their reasons for wanting to do it were as unorthodox as the film itself. Secondly, it was, for the most part, a creative success. And, finally, as already mentioned, it is, unquestionably, a classic of the genre and, as such, it is now historically important.
Unfortunately, "Head" came too late in the Monkees career. But, there again, they wouldn't have been allowed to make it earlier on because it was essentially a very pointed and cynical satire of their own image.
Clearly, the members of the group knew, only too well, that the whole Monkeemania thing had pretty well run its course when they started work on this movie. In a way, it was to be their swan song and they were determined to let it all hang out. They were tired of being treated like mere pawns in the high powered corporate game in which they had been manipulated and exploited over the preceding few years. In short, they "wanted out" and they were going to say a few things before they left.
History, however, has vindicated the band. Let the critics be damned. The Monkees, left behind some of the best, most polished and successful pop records of the decade. Yes, they had plenty of help. But at the end of the day, THEY stood in front of the studio mikes, THEY fronted the movie and TV cameras and THEY did the concerts. They were fun and just a little bit crazy. But, unlike some of their contemporaries, they were never threatening. You could safely introduce a Monkey to your elderly aunt.
"Head" probably borrows a bit too heavily from the Beatles "Hard Day's Night" but it's still worth another look for those who were around at the time or for younger retro fans who can appreciate its significance.
Enjoy!
- BruceCorneil
- 22 mars 2003
- Permalien
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- How long is Head?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Changes
- Lieux de tournage
- Hyperion Water Reclamation Plant - 12000 Vista del Mar, Playa del Rey, Los Angeles, Californie, États-Unis(upstairs downstairs, conveyor belt)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 750 000 $US (estimé)
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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