Adieu l'ami
- 1968
- Tous publics
- 1h 55min
NOTE IMDb
6,7/10
4,4 k
MA NOTE
Après un déploiement à l'étranger, deux anciens membres de la Légion étrangère française projettent de s'introduire dans le coffre-fort d'une société française.Après un déploiement à l'étranger, deux anciens membres de la Légion étrangère française projettent de s'introduire dans le coffre-fort d'une société française.Après un déploiement à l'étranger, deux anciens membres de la Légion étrangère française projettent de s'introduire dans le coffre-fort d'une société française.
Marianna Falk
- Catherine
- (as Mariana Falk)
Béatrice Costantini
- La jeune malade
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAlain Delon, like many French, had admired Mitraillette Kelly (1958), one of the first Bronson's starring vehicles, and he had the producer approach him when Bronson was in Europe making Pancho Villa (1968).
- GaffesWhen Barran throws the burning paper up in the shaft when they have opened a hole in the wall you can see it being moved out of the way by film crew because of the shadows it makes before he climbs up.
- Citations
Dino Barran: Give me your word.
Franz Propp: I ain't got one.
Dino Barran: Give it to me anyway.
Franz Propp: Very well friend.
- ConnexionsFeatured in The Big Sleaze (2010)
- Bandes originalesAdieu L'Ami
Written and Performed by François de Roubaix And Orchestra
Commentaire à la une
A clever script from the late SEBASTIAN JAPRISOT and smart performances from the two male leads - ALAIN DELON and CHARLES BRONSON (or should it be the other way around) result in an engaging and entertaining thriller.
Add to the above the competent direction from veteran JEAN HERMAN and a sparse but effective score by FRANCOIS DE ROUBAIX, it becomes easy why this film has an odd timeless quality.
This is a buddy buddy or bonding story with two loners, both disillusioned and world weary, returning, presumably from Algiers. Like the other colonial powers of this time (post WW II leading into the 60s), France had struggled to keep up appearances overseas. Losing Algiers was a bitter blow.
ADIEU L'AMI (the original title) chronicles the actions of our two (anti) heroes as they struggle to make a go of it, after their discharge.
One thing happens after another, and the viewer really has to pay attention, because JAPRISOT is lean and economical with his script: if it is there, then there must be a reason.
Suffice to say, these two men battle it out, physically and psychologically, one long weekend. Their motivation is quite different, their goals are different - their survival depends entirely on each other. That ALAIN DELON and CHARLES BRONSON are outwardly so different - the former, arguably a pretty boy, and the latter an ugly thug, adds to the chemistry.
That quest makes for a great story, which in turn, makes for a great film.
Lest I forget there are women in this film, and true to the Japrisot method, they too are memorable, though not nearly as fleshed out; to say much more would be to spoil one's delight in discovering their true nature.
FAREWELL, FRIEND HAS BEEN RELEASED IN THE UK; AN ANAMORPHIC IMAGE, 16.9 ENHANCED; IN English ONLY (not even subtitles for the hard of hearing); A RUNNING TIME OF 110 MINUTES; MONO SOUNDTRACK but the DE ROUBAIX music has lots of punch!
Highly recommended.
Add to the above the competent direction from veteran JEAN HERMAN and a sparse but effective score by FRANCOIS DE ROUBAIX, it becomes easy why this film has an odd timeless quality.
This is a buddy buddy or bonding story with two loners, both disillusioned and world weary, returning, presumably from Algiers. Like the other colonial powers of this time (post WW II leading into the 60s), France had struggled to keep up appearances overseas. Losing Algiers was a bitter blow.
ADIEU L'AMI (the original title) chronicles the actions of our two (anti) heroes as they struggle to make a go of it, after their discharge.
One thing happens after another, and the viewer really has to pay attention, because JAPRISOT is lean and economical with his script: if it is there, then there must be a reason.
Suffice to say, these two men battle it out, physically and psychologically, one long weekend. Their motivation is quite different, their goals are different - their survival depends entirely on each other. That ALAIN DELON and CHARLES BRONSON are outwardly so different - the former, arguably a pretty boy, and the latter an ugly thug, adds to the chemistry.
That quest makes for a great story, which in turn, makes for a great film.
Lest I forget there are women in this film, and true to the Japrisot method, they too are memorable, though not nearly as fleshed out; to say much more would be to spoil one's delight in discovering their true nature.
FAREWELL, FRIEND HAS BEEN RELEASED IN THE UK; AN ANAMORPHIC IMAGE, 16.9 ENHANCED; IN English ONLY (not even subtitles for the hard of hearing); A RUNNING TIME OF 110 MINUTES; MONO SOUNDTRACK but the DE ROUBAIX music has lots of punch!
Highly recommended.
- simonize-1
- 11 sept. 2005
- Permalien
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Détails
Box-office
- Montant brut mondial
- 19 800 000 $US
- Durée1 heure 55 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
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By what name was Adieu l'ami (1968) officially released in India in English?
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