Ajouter une intrigue dans votre langueConfused post-teenage virgin Bernard Chanticleer moves to New York City, falls for cold-hearted inscrutable go-go dancer Barbara Darling, then finds true love with a loyal lass.Confused post-teenage virgin Bernard Chanticleer moves to New York City, falls for cold-hearted inscrutable go-go dancer Barbara Darling, then finds true love with a loyal lass.Confused post-teenage virgin Bernard Chanticleer moves to New York City, falls for cold-hearted inscrutable go-go dancer Barbara Darling, then finds true love with a loyal lass.
- Nommé pour 1 Oscar
- 8 nominations au total
- Barbara's Stage Play Crew
- (as Ron Colby)
- Baby Boy in Carriage
- (non crédité)
- Commerce Street BG
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAlthough he had quit film school some years earlier, this film was acceptable for Francis Ford Coppola as his thesis at U.C.L.A. film school in 1966, earning him a Master of Fine Arts degree.
- GaffesAlbino therapist's skin coloring was as tanned as that of non-albino patient Barbara Darling; real albinos lack pigmentation, resulting in flesh that looks nearly white.
- Citations
Jailer: [as he unlocks and opens Bernard's jail cell] Out you go.
Bernard Chanticleer: Why?
Jailer: You're out in custody. Your bail's been paid.
Bernard Chanticleer: [after a thoughtful pause] I've been in the custody of my parents for almost twenty years now. And they've taught me nothing but self-doubt, frustration, and perpetual guilt. I'm going to be in my own custody from now on. I won't go!
Jailer: A nice-lookin' girl paid it.
Bernard Chanticleer: I'll go!
[Gets up and walks out]
- ConnexionsEdited into The Kid Stays in the Picture (2002)
- Bandes originalesGirl, Beautiful Girl
Written by John Sebastian (as John B. Sebastian)
Performed by The Lovin' Spoonful
But while the movie is directed with gusto, it doesn't manage to mask a big problem with the movie. The first half of the movie is really slow going with the story. Sure, the direction hides this thin story for a while, but eventually you realize that not much of substance is actually happening. Things do start moving after the halfway point or so, but it's kind of hard to get involved with what's happening because none of the characters are really all that sympathetic. Even the hero fails to arouse sympathy, because he is for the most part a real spineless wimp. The fact that all the performers give really broad performances doesn't help. In the end, the movie can only be recommended to people with real special interest in Hollywood filmmaking from this period, and even they might find it tough going at times.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- You're a Big Boy Now
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 800 000 $US (estimé)