NOTE IMDb
5,4/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueA circus becomes the location for stolen loot and murder.A circus becomes the location for stolen loot and murder.A circus becomes the location for stolen loot and murder.
Nosher Powell
- Red
- (as Fred Powell)
Henry B. Longhurst
- Hotel Porter
- (as Henry Longhurst)
Histoire
Le saviez-vous
- AnecdotesThe only double the producers could find for Christopher Lee was the circus' real lion tamer, who Lee described as being "half my height". In order to make the situation credible, 6'4" Lee was shot in close-up, so the height differential would not be too obvious to the audience. According to Lee, he wore a black mask through 90% of the movie anyway.
- GaffesAbout five minutes into the movie, when the police are chasing the van, the shadow of the camera is visible on the front of the van.
- Versions alternativesVideo version entitled Circus of Fear includes new footage and introduction with John Carradine.
- ConnexionsEdited from Le Cirque des horreurs (1960)
Commentaire à la une
I'm stunned by the low average (5.4) given to Circus of Fear by IMDb voters. I've just watched the 91-minute colour version put out on DVD by Blue Underground, and found it absorbing throughout.
My guess is that many of the reviewers have seen only the truncated 1965 American version (65 minutes); naturally, missing 26 minutes of a 91- minute film, one will see only a very imperfect version of what the filmmakers intended. To get a true sense of the film one has to have the uncut version.
Despite the advertisements of the time, which played up the film as a horror movie (cashing in on the fact that horror icon Christopher Lee was the star of the film), this is not a horror film. There are some frightening moments, but this is essentially a whodunit, and a fairly good one. The slight "horror" tinge to the film (with its hooded lion- tamer, murders by skillfully thrown knives, screaming circus starlets, vicious circus lions, etc.) add atmosphere, but the story remains a whodunit.
It's also a caper film, insofar as it opens with a well-filmed money truck heist in broad daylight on the Tower Bridge in London. (It was filmed on location for that part.) But there ends up being some kind of sinister and unclear connection between the heist and goings-on at a circus, and it takes the whole film to make clear exactly what the connection is.
Leo Genn is brilliant as the Scotland Yard detective. He has a smooth, beautiful, calm acting manner reminiscent of Herbert Marshall's, and is a joy to watch. The excellent dialogue he is given doesn't hurt. The movie also has good performances by a number of very good British and German actors of the 1960s (it was a German-English co-production).
Christopher Lee is good in the part of the hooded lion-tamer with an ambiguous past. He shows his ability to act in non-horror parts here.
The opening and closing theme music is good, with a 1960s British flavor, but the film itself has only incidental music, with many parts of the story unaccompanied. This works well for this type of film.
The colour photography is beautiful.
This movie is definitely worth more than a 7 out of 10. Maybe it's not quite worth an 8, but to compensate for the ridiculous 5.4 average, I give it an 8 anyway. That's less misleading than a 5.4. A 5.4 says, "Don't waste your time watching this movie", but this movie is very much worth watching, for Genn's performance alone, not to mention its other merits.
My guess is that many of the reviewers have seen only the truncated 1965 American version (65 minutes); naturally, missing 26 minutes of a 91- minute film, one will see only a very imperfect version of what the filmmakers intended. To get a true sense of the film one has to have the uncut version.
Despite the advertisements of the time, which played up the film as a horror movie (cashing in on the fact that horror icon Christopher Lee was the star of the film), this is not a horror film. There are some frightening moments, but this is essentially a whodunit, and a fairly good one. The slight "horror" tinge to the film (with its hooded lion- tamer, murders by skillfully thrown knives, screaming circus starlets, vicious circus lions, etc.) add atmosphere, but the story remains a whodunit.
It's also a caper film, insofar as it opens with a well-filmed money truck heist in broad daylight on the Tower Bridge in London. (It was filmed on location for that part.) But there ends up being some kind of sinister and unclear connection between the heist and goings-on at a circus, and it takes the whole film to make clear exactly what the connection is.
Leo Genn is brilliant as the Scotland Yard detective. He has a smooth, beautiful, calm acting manner reminiscent of Herbert Marshall's, and is a joy to watch. The excellent dialogue he is given doesn't hurt. The movie also has good performances by a number of very good British and German actors of the 1960s (it was a German-English co-production).
Christopher Lee is good in the part of the hooded lion-tamer with an ambiguous past. He shows his ability to act in non-horror parts here.
The opening and closing theme music is good, with a 1960s British flavor, but the film itself has only incidental music, with many parts of the story unaccompanied. This works well for this type of film.
The colour photography is beautiful.
This movie is definitely worth more than a 7 out of 10. Maybe it's not quite worth an 8, but to compensate for the ridiculous 5.4 average, I give it an 8 anyway. That's less misleading than a 5.4. A 5.4 says, "Don't waste your time watching this movie", but this movie is very much worth watching, for Genn's performance alone, not to mention its other merits.
- OldFilmLover
- 30 mai 2017
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Circus of Fear
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1
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