L'homme préhistorique Tumak est banni de sa tribu sauvage et rencontre la jolie Loana, qui appartient à une tribu côtière plus douce. Cependant, il doit combattre l'homme des cavernes Payto ... Tout lireL'homme préhistorique Tumak est banni de sa tribu sauvage et rencontre la jolie Loana, qui appartient à une tribu côtière plus douce. Cependant, il doit combattre l'homme des cavernes Payto pour gagner ses faveurs.L'homme préhistorique Tumak est banni de sa tribu sauvage et rencontre la jolie Loana, qui appartient à une tribu côtière plus douce. Cependant, il doit combattre l'homme des cavernes Payto pour gagner ses faveurs.
- Narrator
- (non crédité)
- Caveman
- (non crédité)
- One of the Cave People
- (non crédité)
- Narrator
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesMartine Beswick said that both she and Raquel Welch actually got along wonderfully during the making of this film. She also said that they were offered stunt doubles to do their cat fight scene in it, but she and Welch both insisted that they do it themselves.
- GaffesWhen the boy tries to steal the meat from the fire and has his hand stepped on by one of the men, he screams and there is a lingering shot of his mouth, showing dental fillings.
- Citations
Loana: [pointing to Ahot] Ahot.
Ahot: [pointing to himself] Ahot.
Tumak: Ahot.
Loana: [pointing to Ahot] Ahot.
[pointing to herself]
Loana: Loana.
[pointing to Tumak]
Loana: Nnn?
Tumak: [misunderstanding] Ahot.
Loana: [pointing to Ahot] Ahot.
[pointing to herself]
Loana: Loana.
[pointing to Tumak]
Tumak: [finally understanding] Tumak!
- Crédits fous[opening statement] The characters and incidents portrayed and the names used herein are fictitious and any similarity to the names, characters or history of any person is entirely accidental and unintentional.
- Versions alternativesThe Spanish DVD release of the film (the edited U.S. version) runs 91 minutes. The UK DVD release of it (the unedited version) runs 100 minutes.
- ConnexionsEdited into Myra Breckinridge (1970)
Special kudos to the music. Where the special effects strain against their limits, as in the terrifying pterodactyl attack and the final upheaval, the music carries home the emotion. I am reminded of Schopenhauer: "The internal relation that music has to the true nature of all things can also explain the fact that, when music suitable to any scene, action, event, or environment is played, it seems to disclose to us its utmost secret meaning and appears to be the most accurate and distinct commentary on it." In a film where words matter so little, the music is especially crucial. As you watch the pterodactyl snatch Raquel and carry her off to feed its young while the other humans watch in helpless dismay, listen to the music, and think about the "utmost secret meaning" of what you are witnessing. This is an artistic moment of astounding ambition, and there are many such moments throughout this sustained meditation on man and the universe.
A few years later, the same team made Creatures the World Forgot, a more "realistic" look at prehistoric survival sans dinosaurs, with a Cain and Abel story that is riveting...and my god, the cave people are hot!
- steven-222
- 17 mars 2011
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- One Million Years B.C.
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 422 816 £GB (estimé)
- Montant brut mondial
- 669 $US
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 1.66 : 1