La Bible : Au commencement des temps...
Titre original : The Bible in the Beginning...
- 1966
- Tous publics
- 2h 54min
NOTE IMDb
6,2/10
6,4 k
MA NOTE
Histoire du livre de la Genèse, de la création à Abraham. Filmé en Italie.Histoire du livre de la Genèse, de la création à Abraham. Filmé en Italie.Histoire du livre de la Genèse, de la création à Abraham. Filmé en Italie.
- Nommé pour 1 Oscar
- 6 victoires et 5 nominations au total
Maria Grazia Spina
- Daughter of Lot
- (as Grazia Maria Spina)
Histoire
Le saviez-vous
- AnecdotesJohn Huston was a self-professed atheist.
- GaffesAt the end of an early dialog between Sarah and her handmaid, Hagar stands up and turns around, heading for the door. A modern zipper is visible on the back of her tight dress.
- ConnexionsEdited into Spisok korabley (2008)
Commentaire à la une
I've always noticed an interesting trend among critics when they review a Biblical movie. Since most critics are of a skeptical nature, they usually carry with them the bias that unless the movie deviates from a traditional telling of what the Bible says it is somehow dull cinema. That somehow there can't be anything compelling in seeing the stories of the Bible dramatized in a straightforward manner with no inane attempts to "humanize" the tales through the lens of a modern, secular society.
Well, I make no apologies for being one of the devout and saying that I prefer my Bible stories straight, without any modernistic elements that are meant to make hidden slams at why the stories are important to begin with. For me, "The Bible" is one of the best Biblical epics precisely because it takes its subject material seriously and only alters a few details (Nimrod for instance is not identified as the king at the time of the Tower of Babel) to get a coherent cinematic presentation in place. Christopher Fry, whose uncredited rewrite of "Ben Hur's" screenplay helped make that film a literate masterpiece of cinema brings the same touch here. And Huston does a fine job of directing.
Those who bash this film, much like those who are given to bashing movies like "The Greatest Story Ever Told" while praising garbage like "The Last Temptation Of Christ" are often saying more about themselves than they are about the film they've just reviewed. What they regard as "boring" I regard as a noble effort to give a visual understanding to the events of the Bible. And "The Bible" despite only covering the first half of the book of Genesis succeeds brilliantly at it.
Well, I make no apologies for being one of the devout and saying that I prefer my Bible stories straight, without any modernistic elements that are meant to make hidden slams at why the stories are important to begin with. For me, "The Bible" is one of the best Biblical epics precisely because it takes its subject material seriously and only alters a few details (Nimrod for instance is not identified as the king at the time of the Tower of Babel) to get a coherent cinematic presentation in place. Christopher Fry, whose uncredited rewrite of "Ben Hur's" screenplay helped make that film a literate masterpiece of cinema brings the same touch here. And Huston does a fine job of directing.
Those who bash this film, much like those who are given to bashing movies like "The Greatest Story Ever Told" while praising garbage like "The Last Temptation Of Christ" are often saying more about themselves than they are about the film they've just reviewed. What they regard as "boring" I regard as a noble effort to give a visual understanding to the events of the Bible. And "The Bible" despite only covering the first half of the book of Genesis succeeds brilliantly at it.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Bible
- Lieux de tournage
- Galapagos Islands, Equateur(creation)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Durée2 heures 54 minutes
- Couleur
- Rapport de forme
- 2.20 : 1
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What is the Canadian French language plot outline for La Bible : Au commencement des temps... (1966)?
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