Tragic ceremony
Titre original : Estratto dagli archivi segreti della polizia di una capitale europea
- 1972
- 1h 27min
NOTE IMDb
5,4/10
706
MA NOTE
Ajouter une intrigue dans votre langueFour young people witness a black mass at a remote English estate, and find themselves terrorized while they attempt to make sense of what they witnessed.Four young people witness a black mass at a remote English estate, and find themselves terrorized while they attempt to make sense of what they witnessed.Four young people witness a black mass at a remote English estate, and find themselves terrorized while they attempt to make sense of what they witnessed.
Maria Mascarielli
- Woman Playing Piano
- (as Ambra Mascarello)
Histoire
Le saviez-vous
- AnecdotesRiccardo Freda always resented directing the movie.
- GaffesNo explanation why the dune buggy that breaks down at the Alexanders's and has given so much trouble is fixed and ready for a quick getaway from "The Tragic Ceremony".
- Citations
News Reporter: According to the latest findings, it would seem like this gruesome massacre, strangely reminiscent of Sharon Tate's murder, could be linked to a small group of hippies in the villa.
- Versions alternativesThe Spanish prints are shorter than the Italian version. In Spain, portions of the scene where Camille Keaton takes a bath are cut - in fact, all shots with nudity are edited out - and the whole "explanation" by Paul Muller at the very end of the movie is missing. Spanish prints include an end title where the Italian print have the title song on a black screen.
- Bandes originalesLa Vita
Music written and performed by Stelvio Cipriani
Lyrics by Riccardo Freda
Sung by Ernesto Brancucci
Commentaire à la une
"Tragic Ceremony" follows a group of hippies (three men, one woman) whose car dies during a rainstorm in the English countryside. They end up at a large estate where the lord and his lady offer them fuel for their car and a place to sleep. Unfortunately, the house guests are subject to a black mass and attempted human sacrifice that goes awry; they escape the event, only to be picked off one by one in the ensuing hours.
This generally weird and largely unknown horror flick was briefly unearthed by Dark Sky Films, who released it on DVD in 2008, but it's still one of the lesser-known oddities of early seventies Italian horror. The film starts out rather orthodox with its young adult characters stumbling into a large mansion, but it doesn't follow the narrative trajectory one would expect. The film's centerpiece is undoubtedly the explosively gory black mass sequence, but rather than occurring at the climax, it instead happens about midway through; this gives the film's narrative arc a remarkably unusual shape that destabilizes the audience's expectations, be it for better or for worse.
While this central scene boasts some creepy imagery and surprising gore, the dreamlike second act of the film is what I found to be most unsettling. After the surreal black mass sequence, the audience follows the four characters in the aftermath of it, which plays out with heady overtones. The heightened black mass scene seems to have the effect of unsettling the audience as much as the flummoxed characters who are trying to piece together what they witnessed, and from there onward the film begins to unravel in the style of a supernatural slasher flick. Their retreat to the country house offers a few chilling scenes, but perhaps most memorable are the one-on-one scenes between Jane and Joe in the penultimate sequence in the woods. There is a quiet, unsettling tone that is rather masterfully achieved in the last half of the film, and this sequence in particular offers some chilling images and atmosphere.
Camille Keaton stars here as the female lead, just after she'd completed her debut work on the giallo "What Have You Done to Solange?" She has an ethereal but disquieting screen presence as always, and the performance is understated but effective. She is surrounded with three Italian/Spanish male actors, each of whom play off of both her and each other fairly well as disaffected hippies. The film has a clever twist at the end that is unfortunately marred by a slipshod imitation of the conclusion from "Psycho," which feels totally unnecessary and tacked on with little forethought.
The silly handling of the conclusion aside, I still found "Tragic Ceremony" to be a weirdly unsettling film. It is certainly not a masterpiece, but the bizarre narrative arc combined with the moody cinematography and Keaton's haunted performance really lend some vitality to the proceedings. The last half of the film plays out like a dream (or a nightmare), and there is an appreciable sense of foreboding that can't be shaken by the audience anymore than it can the characters on screen. 7/10.
This generally weird and largely unknown horror flick was briefly unearthed by Dark Sky Films, who released it on DVD in 2008, but it's still one of the lesser-known oddities of early seventies Italian horror. The film starts out rather orthodox with its young adult characters stumbling into a large mansion, but it doesn't follow the narrative trajectory one would expect. The film's centerpiece is undoubtedly the explosively gory black mass sequence, but rather than occurring at the climax, it instead happens about midway through; this gives the film's narrative arc a remarkably unusual shape that destabilizes the audience's expectations, be it for better or for worse.
While this central scene boasts some creepy imagery and surprising gore, the dreamlike second act of the film is what I found to be most unsettling. After the surreal black mass sequence, the audience follows the four characters in the aftermath of it, which plays out with heady overtones. The heightened black mass scene seems to have the effect of unsettling the audience as much as the flummoxed characters who are trying to piece together what they witnessed, and from there onward the film begins to unravel in the style of a supernatural slasher flick. Their retreat to the country house offers a few chilling scenes, but perhaps most memorable are the one-on-one scenes between Jane and Joe in the penultimate sequence in the woods. There is a quiet, unsettling tone that is rather masterfully achieved in the last half of the film, and this sequence in particular offers some chilling images and atmosphere.
Camille Keaton stars here as the female lead, just after she'd completed her debut work on the giallo "What Have You Done to Solange?" She has an ethereal but disquieting screen presence as always, and the performance is understated but effective. She is surrounded with three Italian/Spanish male actors, each of whom play off of both her and each other fairly well as disaffected hippies. The film has a clever twist at the end that is unfortunately marred by a slipshod imitation of the conclusion from "Psycho," which feels totally unnecessary and tacked on with little forethought.
The silly handling of the conclusion aside, I still found "Tragic Ceremony" to be a weirdly unsettling film. It is certainly not a masterpiece, but the bizarre narrative arc combined with the moody cinematography and Keaton's haunted performance really lend some vitality to the proceedings. The last half of the film plays out like a dream (or a nightmare), and there is an appreciable sense of foreboding that can't be shaken by the audience anymore than it can the characters on screen. 7/10.
- drownsoda90
- 26 mars 2017
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- How long is Tragic Ceremony?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tragic Ceremony
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 27 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Tragic ceremony (1972) officially released in India in English?
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