Trafic
- 1971
- Tous publics
- 1h 36min
NOTE IMDb
7,0/10
7,7 k
MA NOTE
Ajouter une intrigue dans votre langueMr. Hulot drives a recreational vehicle from Paris to Amsterdam in his usual comical, disastrous style.Mr. Hulot drives a recreational vehicle from Paris to Amsterdam in his usual comical, disastrous style.Mr. Hulot drives a recreational vehicle from Paris to Amsterdam in his usual comical, disastrous style.
- Nomination aux 1 BAFTA Award
- 1 victoire et 1 nomination au total
Jacques Tati
- Monsieur Hulot
- (as Mr. Hulot)
François Maisongrosse
- François
- (as F. Maisongrosse)
Marco Zuanelli
- Mechanic
- (as Mario Zanuelli)
Histoire
Le saviez-vous
- AnecdotesThe end scene (people walking with umbrellas between parked cars) was shot on the parking lot of the then still functioning Amsterdam Ford factory.
- GaffesSeveral (Dutch) license plates can be seen on various different vehicles, sometimes even in the same shot. For instance the license plate "FT-92-65" can be seen in the petrol station scene on both a Peugeot 504 and a Chrysler 180. Later the same plate is on a Peugeot 204 passing in front of the exhibition center. In the "road rage" scene the number 76-04-NF is on both the Renault 16 and the Citroën ID. Shortly after the same plate is on an Opel Kadett parked in front of the exhibition center.
- Citations
Radio Announcer: The Cyclone 70. A new raincoat... especially made for the sun.
- Crédits fousIn the opening credits, Tati is billed simply as "M. Hulot." He does, of course, use his real name for his writing and directing credits.
- ConnexionsFeatured in Omnibus: Monsieur Hulot's Work (1976)
Commentaire à la une
Jacques Tati's final film shows his frustrations with modern progress, and car congestion in particular. Suffice it to say that on a trip from Paris to Amsterdam every possible problem a car could encounter short of absolute destruction is suffered by poor Monsieur Hulot (Jacques Tati) and his traveling group. The humor and pacing of the film is very French; that is, a bit slow to American sensibilities. Regardless, the film is oddly compelling even when nothing more than a traffic jam is seen. The gags are sometimes hilarious. Watching this English-dubbed video on a TV is a frustrating experience, since one suspects that it would be much more interesting on the big screen (because of the somewhat monotonous nature of the images), which is not an option. A worthwhile watch, but definitely not TV-friendly. Not Tati's most accessible film.
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Détails
Box-office
- Montant brut mondial
- 51 303 $US
- Durée1 heure 36 minutes
- Mixage
- Rapport de forme
- 1.37 : 1
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