Douze et un

Titre original : 12 + 1

NOTE IMDb

MA NOTE

Ajouter une intrigue dans votre langueA young playboy inherits 13 antique chairs and decides to sell them for money--then finds out where the real money is.A young playboy inherits 13 antique chairs and decides to sell them for money--then finds out where the real money is.A young playboy inherits 13 antique chairs and decides to sell them for money--then finds out where the real money is.

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5,8/10

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MA NOTE

Voir les informations de production sur IMDbPro

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Anecdotes
When Sharon Tate arrived in Rome for filming near the end of March 1969, she was about three months pregnant and beginning to show. Because the script called for several semi-nude scenes, the director arranged to film those scenes first. As filming (and her pregnancy) progressed, the director obscured Tate's stomach with large purses and scarves. This is most apparent in the scene following her ride in the furniture mover's van.

Versions alternatives
Both versions of the story (this one and Le mystère des douze chaises (1970)) have completely different opening and ending title sequences, in terms of fonts and placements. For example, in the opening in the former, the "12 + 1" logo appears one by one in the shot of Mario crossing the street, while in the other version, the logo appears 16 seconds into the film. The ending on the "12 + 1" version has the words "THE END" placed right before the end credits, and right after the freeze-frame, as opposed to the other version, that has "THE END" appear right after the end credits. In addition, both beginning and ending titles for the "12 + 1" version have names and companies that were not credited on the other version, and vice-versa. Both versions even feature different shots of the hair salon in the opening.

Connexions
Featured in Charles Manson Superstar (1989)

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5/10

"Who says money can't buy happiness?" ... "Those who have neither."

Barber in New York City inherits his great aunt's estate in Europe, but arrives only to find a run-down residence and thirteen matching chairs. Upon selling the chairs to a local antique store, he finds a note telling him that one of the chairs holds $100K under the yellow upholstery. Would-be screwball farce is missing most of its screws, however the cast is intriguing. This served as the final film of actress Sharon Tate before her murder in August 1969; if the movie is no longer very funny, at least we get a good look at this beauty near the end of her life. Tossing off quips and jumping into pools and beds, Tate is very frisky and cute, but hasn't much of a character to play. The narrative is so gloppy, we can't even be sure how other mercenary players find out about the hidden treasure, and lead Vittorio Gassman doesn't have the loose body language needed for an arms-flailing farce. Portions of the film are well-directed, though with so much cutting, over-dubbing, and globe-trotting, it isn't any wonder the picture leaves viewers exhausted and unsatisfied. ** from ****