Ajouter une intrigue dans votre langueA psycho stalks go-go dancer from Las Vegas, Nevada to Los Angeles, California.A psycho stalks go-go dancer from Las Vegas, Nevada to Los Angeles, California.A psycho stalks go-go dancer from Las Vegas, Nevada to Los Angeles, California.
- Réalisation
- Scénario
- Casting principal
Jean Byron
- Jerri Benton
- (as Jeane Byron)
Histoire
Le saviez-vous
- AnecdotesScenes of the Los Angeles, California go-go club, where Michele (Raquel Welch) works, were shot at The Losers, a La Cienga Boulevard strip club where sexploitation filmmaker Russ Meyer recruited such stars as Tura Satana, Haji, and Erica Gavin.
- GaffesIn the immolation scene, the mask and gloves of the stuntman's fire suit are clearly visible. Also, the nozzle of the fire extinguisher being brought to the set can be seen in the last two frames before the Brodnek character enters..
- Citations
Lloyd Seibert: There they go, ladies and gentlemen, the most beautiful girls in Las Vegas. Each and every one of them is looking for a husband; so, if any of you husbands are looking?
- ConnexionsFeatured in Los Angeles Plays Itself (2003)
Commentaire à la une
This is a tedious and decidedly low voltage attempt at an action thriller and vehicle for the then quite popular Raquel Welch.
The main drawbacks are the script which features cardboard characters and implausible situations, along with the leaden direction. The undistinguished cast has little to work with, but Ms Welch must be called to account for one of the worst performances of her career. This is saying a lot considering her body (no pun intended) of work. She is alternately vapid and wooden or hysterically shrill.
Ms Welch "portrays" a Las Vegas exotic dancer on the run from the deranged ex-husband (Luke Askew) of her friend and fellow dancer. It seems the Askew character blames Welch for the dissolution of his marriage, so after he blows away his former wife at an outdoor cafe in broad daylight he seeks to do likewise to poor Raquel.
Welch flees to Los Angeles pursued by the killer and immediately takes up with James Stacy. In watching their scenes together one has the impression that the filmmakers were simply going through the motions of providing the obligatory male love interest for Ms Welch. There is zero chemistry between them and the whole Stacy character seems virtually superfluous.
I found the pace of this film quite slow with little tension or suspense. One never really empathizes with or cares much for the central character. The psycho murderer, instead of being menacing and scary, is merely boring and dull.
Ironically, though she plays a go-go dancer, Ms Welch's considerable physical attributes are not put to good use here. She has one dance number (wearing only a moderately revealing outfit) that is tepid at best. The other dance routines by others (some of which are performed topless) come off much better. In fact these rather brief sequences and some fairly colorful and interesting Las Vegas and L.A. locations are all this misfire has going for it.
The main drawbacks are the script which features cardboard characters and implausible situations, along with the leaden direction. The undistinguished cast has little to work with, but Ms Welch must be called to account for one of the worst performances of her career. This is saying a lot considering her body (no pun intended) of work. She is alternately vapid and wooden or hysterically shrill.
Ms Welch "portrays" a Las Vegas exotic dancer on the run from the deranged ex-husband (Luke Askew) of her friend and fellow dancer. It seems the Askew character blames Welch for the dissolution of his marriage, so after he blows away his former wife at an outdoor cafe in broad daylight he seeks to do likewise to poor Raquel.
Welch flees to Los Angeles pursued by the killer and immediately takes up with James Stacy. In watching their scenes together one has the impression that the filmmakers were simply going through the motions of providing the obligatory male love interest for Ms Welch. There is zero chemistry between them and the whole Stacy character seems virtually superfluous.
I found the pace of this film quite slow with little tension or suspense. One never really empathizes with or cares much for the central character. The psycho murderer, instead of being menacing and scary, is merely boring and dull.
Ironically, though she plays a go-go dancer, Ms Welch's considerable physical attributes are not put to good use here. She has one dance number (wearing only a moderately revealing outfit) that is tepid at best. The other dance routines by others (some of which are performed topless) come off much better. In fact these rather brief sequences and some fairly colorful and interesting Las Vegas and L.A. locations are all this misfire has going for it.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Flareup?Alimenté par Alexa
Détails
- Durée1 heure 40 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Tueur de filles (1969) officially released in Canada in English?
Répondre