À travers la campagne et les terres désertiques, deux motards se rendent L.A à la Nouvelle Orléans et rencontrent en chemin un homme qui comble un fossé contre-culturel dont ils ne sont pas ... Tout lireÀ travers la campagne et les terres désertiques, deux motards se rendent L.A à la Nouvelle Orléans et rencontrent en chemin un homme qui comble un fossé contre-culturel dont ils ne sont pas conscients.À travers la campagne et les terres désertiques, deux motards se rendent L.A à la Nouvelle Orléans et rencontrent en chemin un homme qui comble un fossé contre-culturel dont ils ne sont pas conscients.
- Nommé pour 2 Oscars
- 10 victoires et 14 nominations au total
- Joanne
- (as Sandy Wyeth)
- Jack
- (as Robert Walker)
- Mime #3
- (as Ellie Walker)
Histoire
Le saviez-vous
- AnecdotesDennis Hopper and Peter Fonda did not write a full script for the movie, and made most of it up as they went along. They didn't hire a crew, but instead picked up hippies at communes across the country, and used friends and passers-by to hold the cameras, and were drunk and stoned most of the time.
- GaffesWyatt and Billy are going to the Mardi Gras celebrations in New Orleans. This indicates that they are traveling in either late January or early February, given that Mardi Gras usually takes place in mid February. Despite this, and despite the number of states they drive through, the men never drive through an area of cold weather. Many of the characters they meet are wearing summer style clothes, and the weather is most obvious in New Mexico, where the winters can be extremely hard with lots of snow.
- Citations
George Hanson: You know, this used to be a helluva good country. I can't understand what's gone wrong with it.
Billy: Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That's what it's all about.
George Hanson: Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different thangs. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.
Billy: Well, it don't make 'em runnin' scared.
George Hanson: No, it makes 'em dangerous. Buhhhh! Neh! Neh! Neh! Neh! Neh! Neh! Swamp!
- ConnexionsFeatured in NBC Experiment in Television: This Is Al Capp (1970)
Outside of the deeply rooted themes of this film, I felt that Hopper (who also directed) knew exactly what he was doing behind the camera. He kept the talking short, the music loud and symbolic, and allowed the background to do the explaining. I loved the fact that we really knew nothing about Fonda or Hopper's characters. It allowed us to relate to them. You could easily add your story into their characters and have the life that you lead and wish to escape. Hopper was able to transform this film from a drug movie to a film about humanity. Fonda, who also helped write the film with Hopper, did a superb job of adding Nicholson's character into the mix.
Nicholson represented us, the American public and our love of liquor, football, and lies. I viewed Nicholson as the average American. He drank too much, was the product of a wealthy upbringing, but did not know much about the world. He was sheltered. He never smoked weed (in fact didn't even know what it was when presented to him), never left the state line, and never lived life. He constantly used the expression, 'I have always wanted to '. How many times do you hear this a day from either a family member or a co-worker? If you always wanted to do it, why haven't you? So, here we have Hanson, dreaming a dream but never following through, who is traveling with two guys that live the ultimate life and live by their own rules. They are complete opposites, but Hanson's words seemed to remain in my mind for a long time. He reminded me of one of my wife's students today that spoke about freedom. He knew exactly what it was, but never practiced it. Hopper and Fonda were walking (driving most of the time) representations of the word 'freedom'. It is tragic what happens to Harmon, because he (unfortunately) experienced the negative side of freedom hatred and fear of the unknown.
There was one scene that just jumped out at me. It occurs in the diner before the incident later that night where our travelers experience hatred in the country they admire so much. They go from peace and love to fear and hate. It is as if they witnessed night and day. It was frightening to hear the words coming from people in that restaurant. It was not only scary to wonder what was going to happen to our narrators, but mainly that people were speaking that way to fellow citizens. I know that it still occurs today, and it is surprising to me. We bomb a country because they do not follow the same principles that we do, but we need to start asking ourselves this question do we need another United States?
Grade: ***** out of *****
- film-critic
- 24 sept. 2004
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Loners
- Lieux de tournage
- Las Vegas, Nouveau-Mexique, États-Unis("parade without a permit" parade)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 360 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 123 276 $US
- Week-end de sortie aux États-Unis et au Canada
- 74 448 $US
- 14 juil. 2019
- Montant brut mondial
- 124 600 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1