À travers la campagne et les terres désertiques, deux motards se rendent L.A à la Nouvelle Orléans et rencontrent en chemin un homme qui comble un fossé contre-culturel dont ils ne sont pas ... Tout lireÀ travers la campagne et les terres désertiques, deux motards se rendent L.A à la Nouvelle Orléans et rencontrent en chemin un homme qui comble un fossé contre-culturel dont ils ne sont pas conscients.À travers la campagne et les terres désertiques, deux motards se rendent L.A à la Nouvelle Orléans et rencontrent en chemin un homme qui comble un fossé contre-culturel dont ils ne sont pas conscients.
- Nommé pour 2 Oscars
- 10 victoires et 14 nominations au total
- Joanne
- (as Sandy Wyeth)
- Jack
- (as Robert Walker)
- Mime #3
- (as Ellie Walker)
Histoire
Le saviez-vous
- AnecdotesDennis Hopper and Peter Fonda did not write a full script for the movie, and made most of it up as they went along. They didn't hire a crew, but instead picked up hippies at communes across the country, and used friends and passers-by to hold the cameras, and were drunk and stoned most of the time.
- GaffesIn the whorehouse scene, Karen enters through the door wearing black stockings. When she moves to the couch with Billy, she is instead wearing fishnet stockings.
- Citations
George Hanson: You know, this used to be a helluva good country. I can't understand what's gone wrong with it.
Billy: Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That's what it's all about.
George Hanson: Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different thangs. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.
Billy: Well, it don't make 'em runnin' scared.
George Hanson: No, it makes 'em dangerous. Buhhhh! Neh! Neh! Neh! Neh! Neh! Neh! Swamp!
- ConnexionsFeatured in NBC Experiment in Television: This Is Al Capp (1970)
The American Dream has always been about freedom. But like George Hanson says; it's one thing to talk about being free, but something else entirely to actually be it. That's the theme of the entire movie, and the way that it plays out, and the ending especially, aptly portray the difference between saying something and actually doing it. The acting performances are a big part of the movie, and the two leads; Peter Fonda and Dennis Hopper stick out the most. The two actors brilliantly get into their characters, and after a while you forget that you're watching actors and start to think that these people really are these characters. Jack Nicholson turns up halfway through and steals the show. It's not hard to see why this actor went on to become one of the best of all time. Even here, he shows his charisma and ability to steal the show and that is what he would go on to become famous for doing later in his career. Last but not least, another great thing about Easy Rider is the music. Music was, of course, a big thing in the sixties; and it's a big thing about this movie. Classic rock accompanies the pictures of the two men rider their bikes, and it's very cool indeed. On the whole, this film is an out and out classic.
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Busco mi camino
- Lieux de tournage
- Las Vegas, Nouveau-Mexique, États-Unis("parade without a permit" parade)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 360 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 123 276 $US
- Week-end de sortie aux États-Unis et au Canada
- 74 448 $US
- 14 juil. 2019
- Montant brut mondial
- 124 600 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1