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6,3/10
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MA NOTE
Une call-girl de Manhattan a une liaison tragique avec un riche homme marié.Une call-girl de Manhattan a une liaison tragique avec un riche homme marié.Une call-girl de Manhattan a une liaison tragique avec un riche homme marié.
- Récompensé par 1 Oscar
- 1 victoire et 6 nominations au total
Tom Ahearne
- Tom the Bartender
- (non crédité)
John Armstrong
- Doorman
- (non crédité)
Dan Bergin
- Elevator Man
- (non crédité)
Joseph Boley
- Messenger
- (non crédité)
Don Burns
- Photographer
- (non crédité)
Whitfield Connor
- Anderson
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesDame Elizabeth Taylor and her husband, Mike Todd, had planned for La Chatte sur un toit brûlant (1958) to be her final movie, as she intended to retire from the screen. Todd had made a verbal agreement about this with MGM, but after his death, MGM forced Taylor to make this movie in order to fulfill the terms of her studio contract. As a result, Taylor refused to speak to director Daniel Mann for the entire production and hated this movie.
- GaffesA crew member's arm is visible in the mirror when Liggett stands before it and is supposedly alone.
- Citations
Tom, the Bartender: Without her this place is dead. She's like catnip to every cat in town.
- ConnexionsEdited into Voskovec & Werich - paralelní osudy (2012)
Commentaire à la une
Two beautiful unhappy people from opposite ends of Eisenhower era America are drawn together by an obsessive love that ends in tragic consequences. Elizabeth Taylor won a Best Actress Oscar (after much better performances in earlier pictures such as `Cat On A Hot Tin Roof') for her portrayal of (shock!) call-girl Gloria Wandrous. Laurence Harvey plays the john, Weston Liggett, trapped in a stale marriage with his stoic wife Emily (Dina Merrill, perfect as a blue-blooded blonde heiress).
Complementing the moody performances of Liz and Laurence Harvey are an excellent Eddie Fisher as Gloria's long-suffering best friend and greatest admirer Steve, Mildred Dunnock as poor Mrs. Wandrous, in complete denial of her daughter's easy virtue, Betty Field as nosy neighbor Mrs. Fanny Barber, and many others including Kay Medford as tragicomic motel matron, Happy.
Lurking behind the scenes of `Butterfield 8' are some very grown up issues (particularly for its day) about infidelity, high class prostitution, childhood sexual abuse, and the meaning of true commitment. The dialogue by John Michael Hayes (`Peyton Place,' `To Catch A Thief,' and `Rear Window", among many credits) and Charles Schnee, is punchy and quick, and the movie glows with luscious cinematography from Hollywood veteran Joseph Ruttenberg, who got an Academy Award nomination for his efforts (he had previously won four Oscars dating back to 1938).
Although somewhat dated, it remains a thoughtful film (if you pay attention) and a visual treat for any Liz fan. Worth watching!
Complementing the moody performances of Liz and Laurence Harvey are an excellent Eddie Fisher as Gloria's long-suffering best friend and greatest admirer Steve, Mildred Dunnock as poor Mrs. Wandrous, in complete denial of her daughter's easy virtue, Betty Field as nosy neighbor Mrs. Fanny Barber, and many others including Kay Medford as tragicomic motel matron, Happy.
Lurking behind the scenes of `Butterfield 8' are some very grown up issues (particularly for its day) about infidelity, high class prostitution, childhood sexual abuse, and the meaning of true commitment. The dialogue by John Michael Hayes (`Peyton Place,' `To Catch A Thief,' and `Rear Window", among many credits) and Charles Schnee, is punchy and quick, and the movie glows with luscious cinematography from Hollywood veteran Joseph Ruttenberg, who got an Academy Award nomination for his efforts (he had previously won four Oscars dating back to 1938).
Although somewhat dated, it remains a thoughtful film (if you pay attention) and a visual treat for any Liz fan. Worth watching!
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La Vénus au vison
- Lieux de tournage
- Tappan Zee Bridge, Tarrytown, New York, États-Unis(when Gloria flees Liggett at the end)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 800 000 $US (estimé)
- Montant brut mondial
- 8 722 $US
- Durée1 heure 49 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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