Un ex-lieutenant de police jongle avec ses démons personnels et devient obsédé par une femme d'une beauté envoûtante.Un ex-lieutenant de police jongle avec ses démons personnels et devient obsédé par une femme d'une beauté envoûtante.Un ex-lieutenant de police jongle avec ses démons personnels et devient obsédé par une femme d'une beauté envoûtante.
- Nommé pour 2 Oscars
- 9 victoires et 7 nominations au total
David Ahdar
- Priest
- (non crédité)
Isabel Analla
- Undetermined Role
- (non crédité)
Jack Ano
- Undetermined Role
- (non crédité)
Margaret Bacon
- Nun
- (non crédité)
John Benson
- Salesman
- (non crédité)
Danny Borzage
- Juror
- (non crédité)
Margaret Brayton
- Ransohoff's Saleslady
- (non crédité)
Paul Bryar
- Capt. Hansen
- (non crédité)
Boyd Cabeen
- Diner at Ernie's
- (non crédité)
Histoire
Le saviez-vous
- GaffesBoth times the main characters drive to the old mission, the wide shots show them driving on the right side of the road. However, all shots inside the car show them driving on the left side of the road. This is because the US 101 - where filming took place - near San Juan Bautista is split, with two lanes in each direction, by a grove of Eucalyptus trees. The film shows only one of the road's directions, giving the appearance that Scottie and Madeleine are driving on the wrong side of the road.
- Crédits fousThe opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor.
- Versions alternativesAn additional ending was made during post production for some European countries due to certain laws prohibiting a film from letting a "bad guy" get away at the end of a film. In the new ending, after Scottie looks down from the bell tower (the original ending) there is a short scene of Midge in her apartment sitting next to a radio and listening to reports of the police tracking down Gavin Elster hiding out in Europe. As Midge turns off the radio, the news flash also reports that three Berkeley students got caught bringing a cow up the stairs of a campus building. Scottie enters the apartment, looks at Midge plainly, and then looks out a window. Midge makes two drinks and gives one to Scottie. The scene ends with both of them looking out the window without saying a single word to each other. This alternate ending can be found on the restoration laser disc.
- ConnexionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- Bandes originalesSymphony No. 34 in C K. 338, 2nd Movement, Andante di Molto (piu tosto allegretto)
(uncredited)
Composed by Wolfgang Amadeus Mozart
Played as 'cue 10B' on a record in the psychiatric ward
Commentaire à la une
Two years before Hitchcock's legendary horror movie "Psycho" (1960) hit the theaters, our Alfred stunned audiences with another masterpiece. Perhaps not as dark, cruel and shoking as "Psycho" (1960) or "The Birds" (1963), "Vertigo" (1958) still manages to be called a timeless classic.
First of all, Scottie's condition allowed the use of an entirely new camera technique. "The Dolly Zoom" is one of cinematography's most impressive camera tricks. Years before Steven Spielberg used it in "Jaws" (1975), Irmin Roberts was the first cameraman to ever use this technique, in a Hitchcock film.
This movie tells the story of Scottie, a retired cop who's asked to investigate the case of his friend's wife, which seems to be possesed by the spirit of a dead young woman who committed suicide.
As the chilling story goes on, several moments of suspense accompanied by chilling musical scores are happening. If you're not a fan of it, you can still enjoy the superb settings throughout the movie, and as well the beautifuly filmed shots. These elements alone are a pure work of art in my opinion.
Because it's a 50's film, you will encounter extravagant dialogue between the characters, that still manages to look natural. It's not over the top forced as you may see in other films of the era.
Toward the end of the movie, I appreciated the interesting depiction of madness that Alfred creates throughout dreams and illusions that our leading man deals with. The beautiful lighting used in the last half an hour of the movie is also outstanding enough to be mentioned. And, without spoiling anything, I'd like to mention how from my perspective, the leading man portrayed throughout the movie as a tragic hero, becomes an antagonist.
Definetly an unpredictable and stylish classic you don't want to miss.
First of all, Scottie's condition allowed the use of an entirely new camera technique. "The Dolly Zoom" is one of cinematography's most impressive camera tricks. Years before Steven Spielberg used it in "Jaws" (1975), Irmin Roberts was the first cameraman to ever use this technique, in a Hitchcock film.
This movie tells the story of Scottie, a retired cop who's asked to investigate the case of his friend's wife, which seems to be possesed by the spirit of a dead young woman who committed suicide.
As the chilling story goes on, several moments of suspense accompanied by chilling musical scores are happening. If you're not a fan of it, you can still enjoy the superb settings throughout the movie, and as well the beautifuly filmed shots. These elements alone are a pure work of art in my opinion.
Because it's a 50's film, you will encounter extravagant dialogue between the characters, that still manages to look natural. It's not over the top forced as you may see in other films of the era.
Toward the end of the movie, I appreciated the interesting depiction of madness that Alfred creates throughout dreams and illusions that our leading man deals with. The beautiful lighting used in the last half an hour of the movie is also outstanding enough to be mentioned. And, without spoiling anything, I'd like to mention how from my perspective, the leading man portrayed throughout the movie as a tragic hero, becomes an antagonist.
Definetly an unpredictable and stylish classic you don't want to miss.
- eveflower1970
- 27 déc. 2018
- Permalien
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- How long is Vertigo?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- De entre los muertos
- Lieux de tournage
- Fort Point, Presidio, Golden Gate National Recreation Area, San Francisco, Californie, États-Unis(Madeleine's jump into the bay)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 479 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 705 225 $US
- Week-end de sortie aux États-Unis et au Canada
- 252 880 $US
- 18 mars 2018
- Montant brut mondial
- 7 809 098 $US
- Durée2 heures 8 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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