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Pendant la Dépression, en plein carnaval de la Nouvelle-Orléans, un journaliste s'immisce dans la vie d'un couple d'aviateurs acrobates.Pendant la Dépression, en plein carnaval de la Nouvelle-Orléans, un journaliste s'immisce dans la vie d'un couple d'aviateurs acrobates.Pendant la Dépression, en plein carnaval de la Nouvelle-Orléans, un journaliste s'immisce dans la vie d'un couple d'aviateurs acrobates.
Christopher Olsen
- Jack Shumann
- (as Chris Olsen)
Steve Ellis
- Mechanic
- (as Stephen Ellis)
Bill Baldwin
- Pylon Air Race Announcer
- (voix)
- (non crédité)
Chet Brandenburg
- Workman on Mardi Gras Float
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesDuring location shooting in San Diego, Robert Stack's wife was about to have their first child. While filming the tense scene where Stack propositions his on-screen wife (played by Dorothy Malone), a plane suddenly flew right by the cameras with letters tailing four feet tall proclaiming IT'S A GIRL! Rock Hudson had arranged to have the hospital call immediately when the news came and hired a stunt pilot to tow the message behind the plane. Stack was deeply moved by Hudson's generosity, saying in his autobiography, "It's a moment I've never forgotten. Anybody who tells me that Rock Hudson isn't a first-class gent had better put up his dukes."
- GaffesDespite the fact that the story is taking place in the early 1930s, all of Dorothy Malone's clothing, hairstyles and make-up are strictly 1957, the year the picture was filmed.
- Citations
Ted Baker: On the level, what'd you do last night?
Burke Devlin: Nothing much:just sat up half the night discussing literature and life with a beautiful, half naked blonde.
Ted Baker: You better change bootleggers.
- ConnexionsFeatured in Behind the Mirror: A Profile of Douglas Sirk (1979)
Commentaire à la une
Story of a friendship between an eccentric journalist (Rock Hudson)and a daredevil barnstorming pilot (Robert Stack).
The Universal-International film reunited director Sirk with Stack, Malone, and Hudson, with whom he had collaborated on "Written on the Wind" two years earlier. Sirk chose to shoot "Angels" in black-and-white to help capture the despondent mood of the era in which it is set. Faulkner considered the film to be the best screen adaptation of his work.
The reviews on this film have improved with age, due in part to Sirk really not getting respect until much later (thanks in part to Fassbinder). I found the film to be solid, and would rank it among the very best of Sirk's work. Truly a must-see. Not quite a noir, but still on the edges of that world.
The Universal-International film reunited director Sirk with Stack, Malone, and Hudson, with whom he had collaborated on "Written on the Wind" two years earlier. Sirk chose to shoot "Angels" in black-and-white to help capture the despondent mood of the era in which it is set. Faulkner considered the film to be the best screen adaptation of his work.
The reviews on this film have improved with age, due in part to Sirk really not getting respect until much later (thanks in part to Fassbinder). I found the film to be solid, and would rank it among the very best of Sirk's work. Truly a must-see. Not quite a noir, but still on the edges of that world.
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- How long is The Tarnished Angels?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 9 788 $US
- Durée1 heure 31 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was La ronde de l'aube (1957) officially released in India in English?
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