Papa play-boy

Titre original : A Global Affair

1964
1h 24min

NOTE IMDb

MA NOTE

Bob Hope, Liselotte Pulver, Elga Andersen, Michèle Mercier, and Miiko Taka in Papa play-boy (1964)

Ajouter une intrigue dans votre langueA bachelor employee at the United Nations building takes care of an abandoned baby.A bachelor employee at the United Nations building takes care of an abandoned baby.A bachelor employee at the United Nations building takes care of an abandoned baby.

Voir les informations de production sur IMDbPro

NOTE IMDb

5,4/10

521

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 1 victoire et 2 nominations au total

Anecdotes
Co-stars Yvonne De Carlo and Miiko Taka do not make their initial appearances until the final twenty minutes of the film, and both scenes amount to little more than cameos.

Gaffes
Two of the character roles listed in the closing credits do not match their roles played in the film. Elga Andersen 'of Germany' plays the role of a representative from France, and Lilo Pulver 'of Switzerland' plays the Russian representative (appearing at about 45 mins) who collects data for an examination of the baby's national origin. Andersen's accent is closer to German than French, while Pulver's Russian accent is minimally passable.

Citations
Frank Larrimore: I once had a tough sergeant like you - he was shot from behind on the first day of combat!

Crédits fous
During closing credits, they display the country of birth for the various actresses - for example : Michèle Mercier of France, Elga Andersen of Germany.

Connexions
Featured in MGM Is on the Move! (1964)

Bandes originales
So Wide the World
Music by Dominic Frontiere
Lyrics by Dorcas Cochran
Performed by Vic Dana

Avis des utilisateurs11

Commentaire à la une

3/10

Half-baked Talkfest For Half-Pints

As the countries of the earth gathered at the New York World's Fair in 1964, Bob Hope and Producer Ed Small (who would produce a series of films in the 60's that became increasingly cataclysmic disasters with each subsequent release) felt this topical comedy on the United Nations and an abandoned child "adopted" by Hope would be a natural for laughs. Nope. Hope's effortless sauntering around a set in lieu of acting became standard by this time, and here his search for a mate among the international nubile hostesses at the U.N. is particularly dated and borderline offensive. As was undoubtedly said at the time- Hope sets the sites on his laugh targets low... and misses. Even a mild diversion as "Bachelor In Paradise" just three years hence would prove a high-water mark of the latter half of Hope's film career. They may have "hoped" to succeed "Globally" but stank locally.