NOTE IMDb
7,2/10
1,5 k
MA NOTE
À Istanbul, un jeune professeur triste rencontre une femme belle et énigmatique qui pourrait être impliquée dans un réseau de trafic sexuel.À Istanbul, un jeune professeur triste rencontre une femme belle et énigmatique qui pourrait être impliquée dans un réseau de trafic sexuel.À Istanbul, un jeune professeur triste rencontre une femme belle et énigmatique qui pourrait être impliquée dans un réseau de trafic sexuel.
- Récompenses
- 1 victoire et 1 nomination au total
Osman Alyanak
- Police Officer
- (non crédité)
Faik Coskun
- Auto Mechanic
- (non crédité)
Asim Nipton
- Police Chief
- (non crédité)
Histoire
Le saviez-vous
- ConnexionsFeatured in Fejezetek a film történetéböl: A francia új hullám (1990)
Commentaire à la une
Alain Robbe-Grillet was the writer of LAST YEAR AT MARIENBAD, this is one of my favorite movies of all time. I must revisit it though, because there have been many years since i watched it. And Time changes everything.
Robbe- Grillet wrote this movie too. He is the director as well. I liked it but i can understand the reasons why many people won't. It's almost inaccessible. It's too mysterious to call it a mystery movie, i am joking obviously, i just want to emphasize that this is so weird and obscure that i couldn't be sure even if there is a mystery here or a riddle or the creator just plays with viewers' minds. Is there a mystery here to solve or the viewers should just dive in their subconscious, without thinking it too much?
Is Constantinopole a mythical city here, a place that exists only in dreams because in reality, there are all fake, as the female character keeps repeating? Is it just a scenery for our deepest feelings to rise on the surface? Or a "real" city in which bad things and criminal activities are taking place?
I liked this movie because it made me contemplate about many things. Françoise Brion is unbelieavably gorgeous. I loved its narrative and the way that certain scenes keep repeating but not exactly the same. It was like a circle, the end is the beginning is the end. Like a cinematic "Ouroboros". Like Nietzsche's Eternal Return.
I can't rate it higher because it is too cryptic and i am not even sure it is brilliant or the director just being enigmatic for the sake of enigmas. It's more likely this is a STYLE OVER SUBSTANCE movie. Still, if you find it interesting as it was desribed here, watch it.
Robbe- Grillet wrote this movie too. He is the director as well. I liked it but i can understand the reasons why many people won't. It's almost inaccessible. It's too mysterious to call it a mystery movie, i am joking obviously, i just want to emphasize that this is so weird and obscure that i couldn't be sure even if there is a mystery here or a riddle or the creator just plays with viewers' minds. Is there a mystery here to solve or the viewers should just dive in their subconscious, without thinking it too much?
Is Constantinopole a mythical city here, a place that exists only in dreams because in reality, there are all fake, as the female character keeps repeating? Is it just a scenery for our deepest feelings to rise on the surface? Or a "real" city in which bad things and criminal activities are taking place?
I liked this movie because it made me contemplate about many things. Françoise Brion is unbelieavably gorgeous. I loved its narrative and the way that certain scenes keep repeating but not exactly the same. It was like a circle, the end is the beginning is the end. Like a cinematic "Ouroboros". Like Nietzsche's Eternal Return.
I can't rate it higher because it is too cryptic and i am not even sure it is brilliant or the director just being enigmatic for the sake of enigmas. It's more likely this is a STYLE OVER SUBSTANCE movie. Still, if you find it interesting as it was desribed here, watch it.
- athanasiosze
- 6 mars 2024
- Permalien
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Détails
- Durée1 heure 41 minutes
- Couleur
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