Out of the Fog

1962
1h 8min

NOTE IMDb

MA NOTE

Ajouter une intrigue dans votre langueAn ex-con is the prime suspect when a series of murders occur under the full moon, every victim a young blonde woman.An ex-con is the prime suspect when a series of murders occur under the full moon, every victim a young blonde woman.An ex-con is the prime suspect when a series of murders occur under the full moon, every victim a young blonde woman.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,3/10

288

MA NOTE

Voir les informations de production sur IMDbPro

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Anecdotes
Final film of Olga Lindo.

Citations
[Sgt Lock is working undercover in a furniture shop to keep an eye on George Mallon who is suspicious when he sees her talking to Sgt Tracey]
Sgt. June Lock: What's so special about you?
George Mallon: He came here to warn you that I'm an ex-con, didn't he? Well he can save his breath because the manager already knows.
[Sgt Lock does not react to this]
George Mallon: Didn't you hear me? I said I was an ex-con.
Sgt. June Lock: Well, what about it? Am I expected to fall over with admiration or something?

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7/10

Tidy serial killer thriller

A nice little B picture from prolific thriller director Montgomery Tully. The plot is unusual enough to make this stand out and there are some great little moments portrayed very well despite what is obviously a low budget. Heck, even the fog is in short supply here, but OUT OF THE FOG still packs a punch as a murder mystery and has something to say at the same time.

The plot sees the callow and unlikeable David Sumner being released from prison and going to live in a kind of halfway house populated by delightful old lags. Most of these ex-cons are made of great British character actors like Michael Ripper, George Woodbridge, and Richard Shaw. The jovial James Hayter is the nice chap who runs the place. However, this is just the background for the main plot, involving a serial killer with a penchant for strangling blondes.

Sumner is the main suspect and OUT OF THE FOG follows the police's tailing and eventual attempts to apprehend him. Susan Travers has a fine role as the undercover policewoman used as bait. There's a wonderfully evocative ending and lots of good character work en route; nothing much feels out of place, and overall the film is a nice and tidy piece of work.