La fille à la valise

Titre original : La ragazza con la valigia

NOTE IMDb

MA NOTE

Attirée par le succès, Aïda une jeune danseuse de province, se laisse séduire par les belles promesses de Marcello, un don Juan qui se lasse bientôt d'elle.Attirée par le succès, Aïda une jeune danseuse de province, se laisse séduire par les belles promesses de Marcello, un don Juan qui se lasse bientôt d'elle.Attirée par le succès, Aïda une jeune danseuse de province, se laisse séduire par les belles promesses de Marcello, un don Juan qui se lasse bientôt d'elle.

Voir les informations de production sur IMDbPro

NOTE IMDb

7,4/10

2,5 k

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 1 victoire et 1 nomination au total

Photos128

+ 120

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Anecdotes
In 2008, the film was selected to enter the list of the 100 Italian films to be saved (100 film italiani da salvare). The list was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". The project was established by the Venice Days ("Giornate degli Autori") in the Venice Film Festival, in collaboration with Cinecittà Holding and with the support of the Ministry of Cultural Heritage.

Gaffes
In the opening scene when Aida takes an emergency bathroom break in the ditch, there is a noticeable paper cup like white object in the middle of the road. It comes and goes and moves around.

Citations
Don Pietro Introna: I'd like to talk.
Aida Zepponi: To me?
Don Pietro Introna: Yes, you. Where can we go? The museum, no one ever goes there.

Connexions
Featured in Hep Taxi !: Claudia Cardinale (2017)

Bandes originales
'Celeste Aida' from 'Aida'
Composed by Giuseppe Verdi (as G. Verdi)
Sung by Beniamino Gigli
Courtesy of Ricordi

Avis des utilisateurs16

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Commentaire à la une

I'll comment on one single scene...

... the one where Lorenzo watches Aida dancing with that older man. She was supposed to go to the movies with him but she chose to have dinner with a group of other guests at the hotel, and after dinner they start partying and dancing. At one point there is a close-up of Lorenzo that lasts for at least one minute. He looks at them dancing, looks away, takes a sip from his drink, fidgets, with all these different expressions on his face: jealousy, frustration, anger, discomfort, despair. No dialogue. Wonderfully acted and directed. That scene is worth more than all car chase sequences since the beginning of Cinema put together.