Une ingénue se glisse dans la compagnie d'une actrice de scène établie mais vieillissante et de ses amis du théâtre.Une ingénue se glisse dans la compagnie d'une actrice de scène établie mais vieillissante et de ses amis du théâtre.Une ingénue se glisse dans la compagnie d'une actrice de scène établie mais vieillissante et de ses amis du théâtre.
- Récompensé par 6 Oscars
- 27 victoires et 20 nominations au total
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Best Picture Winners by Year
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Histoire
Le saviez-vous
- AnecdotesBette Davis fell in love with her co-star Gary Merrill during the shoot of this movie, and the two married in July 1950, a few weeks after filming was completed. They adopted a baby girl, whom they named Margot.
- GaffesAbout 45 minutes into the film, Margo and Bill are having an argument about Eve before his birthday party. Margo angrily folds her arms across her chest and her diamond bracelet clasp breaks and dangles against her dress. It isn't part of the story. It is fixed in the next frame.
- Crédits fousThe film opens straightaway with its own theme, without the ubiquitous "Fox Fanfare".
- ConnexionsEdited into Myra Breckinridge (1970)
- Bandes originalesLiebestraum
(uncredited)
Music by Franz Liszt
[Played on the piano at the party when Margo is sitting with the pianist; also heard on the car radio]
Commentaire à la une
You will see yourself in every character in this very intelligent, entrancing movie. Though set in "the theatre," the story could just as easily have been told in a small town, a corporation even a religious organization. Being set in the "glamorous" world of entertainment its seems all the more timely in these days of fame, fortune and the insufficiency (almost shame) of being ordinary. The theatre setting also underscores the reality that the world is a stage, and all its people, players.
So much to study in this movie: the genuine, trusting (and romantic) human; the streetwise, good, hardworking human, who's seen it all and doesn't embrace it; the jaded, heart-hardened, deceitful loser with power, who admires the same and disdains human goodness; the ambitious sociopath who fools so many; the unsuspecting onlookers who see only the façade of success; the inescapable fact that supreme achievement has been had by very low characters; the painful passage of an aging woman into the light of knowing she's loved for being beautiful beyond her appearance, for being HER; the touching portrayal of her lover who remembers his love for her as he passes on a much younger, beautiful, talented actress; the sorrow of a (betraying) friend who discovers the frightened and lonely heart of her successful friend The dialogue is sharp and clever, barked and growled, smarmy and tender A truly human movie about being human. Go find yourself in everyone!
So much to study in this movie: the genuine, trusting (and romantic) human; the streetwise, good, hardworking human, who's seen it all and doesn't embrace it; the jaded, heart-hardened, deceitful loser with power, who admires the same and disdains human goodness; the ambitious sociopath who fools so many; the unsuspecting onlookers who see only the façade of success; the inescapable fact that supreme achievement has been had by very low characters; the painful passage of an aging woman into the light of knowing she's loved for being beautiful beyond her appearance, for being HER; the touching portrayal of her lover who remembers his love for her as he passes on a much younger, beautiful, talented actress; the sorrow of a (betraying) friend who discovers the frightened and lonely heart of her successful friend The dialogue is sharp and clever, barked and growled, smarmy and tender A truly human movie about being human. Go find yourself in everyone!
- anita_delre
- 10 août 2005
- Permalien
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Détails
Box-office
- Budget
- 1 400 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 63 463 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 177 $US
- 8 oct. 2000
- Montant brut mondial
- 154 736 $US
- Durée2 heures 18 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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