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MA NOTE
Un couple de comédie musicale couronné de succès mais se querellant sans cesse est sur le point de rompre lorsque la femme envisage de devenir comédienne dramatique.Un couple de comédie musicale couronné de succès mais se querellant sans cesse est sur le point de rompre lorsque la femme envisage de devenir comédienne dramatique.Un couple de comédie musicale couronné de succès mais se querellant sans cesse est sur le point de rompre lorsque la femme envisage de devenir comédienne dramatique.
- Nommé pour 1 Oscar
- 4 nominations au total
Jacques François
- Jacques Pierre Barredout
- (as Jacques Francois)
John Albright
- Look Photographer
- (non crédité)
Jean Andren
- 1st Woman
- (non crédité)
Lois Austin
- Guest in Lobby
- (non crédité)
Dick Baron
- Bobby Soxer
- (non crédité)
Mary Bayless
- Guest in Lobby
- (non crédité)
Margaret Bert
- Mary
- (non crédité)
Betty Blythe
- Guest in Lobby
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesFred Astaire had sung "They Can't Take That Away from Me" to Ginger Rogers previously in L'entreprenant Mr Petrov (1937), but they had never danced to it. Rogers suggested that they use the song again (this time dancing), and so it was included.
- GaffesIn "Shoes With Wings On" dance, one dancer has his shoes off when trying the tap shoes. When he takes them off and gives them to Fred Astaire's character, the dancer forgets to pick up his shoes when he walks out the door. After that, they are not to be found when the routine continues.
- Citations
Ezra Millar: Thank you. I'm touched, the piano's touched, and Tchaikovsky's touched.
- ConnexionsEdited into Hollywood: The Dream Factory (1972)
- Bandes originalesThey Can't Take That Away from Me
(1937)
Music by George Gershwin
Lyrics by Ira Gershwin
Sung by Fred Astaire (uncredited)
Danced by Fred Astaire (uncredited) and Ginger Rogers (uncredited)
Commentaire à la une
Except this vehicle is nothing like their other films at RKO. This is a MGM musical in the big MGM tradition. The whole thing was an accident. Judy Garland was supposed to have Ginger Rogers' role, but her chronic illness made a replacement necessary. Rogers and Astaire have the same old chemistry even if it is a different studio. They play feuding song and dance team Josh and Dinah Barkeley who break up personally and professionally over Dinah's desire to do dramatic acting and Josh's jealousy over who the author of the play is - a flirty Frenchman, Jacques.
At first Josh says he wants Dinah to fall on her face. But when he sees her actually stumble in rehearsals when he sneaks in to catch a peek, he blames it all on Jacques, who he says does not know how to direct her. So Josh comes up with a ruse in which he calls Dinah after rehearsals and pretends to be Jacques, complete with fake French accent, giving her cues on how to improve her performance based on what he has seen. Unfortunately it works too well. Dinah thinks even more of Jacques since he is helping her out with great tips, and Jacques is bowled over by Dinah's inexplicable improvement. How will this work out? Watch and find out.
Of course MGM spared no expense in the late 40s with the Arthur Freed unit, which made this film. There is beautiful Technicolor, comedy and masterful piano work from Oscar Levant, a great piece of special effects work by MGM and dancing by Astaire in the number "Shoes with Wings On" in which Astaire seems to be dancing side by side with pairs of tap shoes, and a ballroom number in which Fred and Ginger dance to "They Can't Take That Away From Me". Fred sang it to Ginger but the two did not dance to it in 1937's "Shall We Dance". Finally, Ginger's recitation of "La Marseillaise" when she plays "Young Sarah Bernhardt" in Jacques' play is a (probably) unintentional camp classic. Fortunately the French are forgiving people.
It was an unexpected reunion, but for fans of the big MGM musicals of the period and of Fred and Ginger in particular, I would highly recommend it.
At first Josh says he wants Dinah to fall on her face. But when he sees her actually stumble in rehearsals when he sneaks in to catch a peek, he blames it all on Jacques, who he says does not know how to direct her. So Josh comes up with a ruse in which he calls Dinah after rehearsals and pretends to be Jacques, complete with fake French accent, giving her cues on how to improve her performance based on what he has seen. Unfortunately it works too well. Dinah thinks even more of Jacques since he is helping her out with great tips, and Jacques is bowled over by Dinah's inexplicable improvement. How will this work out? Watch and find out.
Of course MGM spared no expense in the late 40s with the Arthur Freed unit, which made this film. There is beautiful Technicolor, comedy and masterful piano work from Oscar Levant, a great piece of special effects work by MGM and dancing by Astaire in the number "Shoes with Wings On" in which Astaire seems to be dancing side by side with pairs of tap shoes, and a ballroom number in which Fred and Ginger dance to "They Can't Take That Away From Me". Fred sang it to Ginger but the two did not dance to it in 1937's "Shall We Dance". Finally, Ginger's recitation of "La Marseillaise" when she plays "Young Sarah Bernhardt" in Jacques' play is a (probably) unintentional camp classic. Fortunately the French are forgiving people.
It was an unexpected reunion, but for fans of the big MGM musicals of the period and of Fred and Ginger in particular, I would highly recommend it.
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Détails
Box-office
- Budget
- 2 325 420 $US (estimé)
- Durée1 heure 49 minutes
- Rapport de forme
- 1.37 : 1
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By what name was Entrons dans la danse (1949) officially released in India in English?
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