L'Italie de l'après-guerre, le vélo d'un ouvrier est volé. Lui et son fils sont partis à sa recherche.L'Italie de l'après-guerre, le vélo d'un ouvrier est volé. Lui et son fils sont partis à sa recherche.L'Italie de l'après-guerre, le vélo d'un ouvrier est volé. Lui et son fils sont partis à sa recherche.
- Nommé pour 1 Oscar
- 18 victoires et 1 nomination au total
Giulio Battiferri
- Citizen Who Protects the Real Thief
- (non crédité)
Ida Bracci Dorati
- La Santona
- (non crédité)
Veriano Ginesi
- Man in the Crowd
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesVittorio De Sica still hadn't found the ideal actor to play Bruno when filming began. It was while he was shooting the scene in which Antonio searches for his friend who can help him locate the bike that fate intervened. "I was telling Maggiorani something," he recalled, "when I turned around in annoyance at the onlookers who were crowding around me, and saw an odd-looking child with a round face, a big funny nose and wonderful lively eyes. Saint Gennaro has sent him to me, I thought. It was proof of the fact that everything was turning out right." And so little Enzo Staiola was hired on the spot to play Bruno.
- GaffesToutes les informations contiennent des spoilers
- Citations
Antonio Ricci: "There's a cure for everything except death."
- ConnexionsEdited into Bellissimo: Immagini del cinema italiano (1985)
Commentaire à la une
In the post-war Rome, after more than two-year unemployment, the family man Antonio Ricci (Lamberto Maggiorani) finally finds a disputed job position putting up posters that requires having a bicycle. However, he needs to retrieve his bicycle in the pawn shop but he does not have money. His wife Maria (Lianella Carell) pawns their bed sheets and uses the money to recover the precious bicycle. Antonio envisions a better life for his family with his salary, overtime and benefits. Unfortunately, his bicycle is stolen on the first working day. Antonio and his son Bruno (Enzo Staiola) spend the Sunday chasing the bicycle and the thief on the streets of Rome.
"Ladri di Biciclette" is a heartbreaking masterpiece of the Italian Neo- Realism and one of the best movies of cinema history ever. This is the third time that I watch this unforgettable film that makes me sad with the desperation of Antonio and his lack of perspective in the end. There are memorable touching scenes, like Bruno eating pizza in the restaurant wearing a torn coat and contrasting with the wealthy family; or the happiness of the clumsy Antonio putting up the poster of Rita Hayworth in "Gilda"; or the indecision of Bruno between a dish of soup in the church or chasing the old man with his father; or the shame of Antonio in the end. The DVD released in Brazil by Spectra Nova has good quality of image, subtitles in yellow but no Extras. The DVD released by Versátil uses the same matrix of Spectra Nova but with subtitles in white, and it is difficult the reading by the viewer. However, there are many Extras. My vote is ten.
Title (Brazil): "Ladrões de Bicicleta" ("Thieves of Bicycle")
"Ladri di Biciclette" is a heartbreaking masterpiece of the Italian Neo- Realism and one of the best movies of cinema history ever. This is the third time that I watch this unforgettable film that makes me sad with the desperation of Antonio and his lack of perspective in the end. There are memorable touching scenes, like Bruno eating pizza in the restaurant wearing a torn coat and contrasting with the wealthy family; or the happiness of the clumsy Antonio putting up the poster of Rita Hayworth in "Gilda"; or the indecision of Bruno between a dish of soup in the church or chasing the old man with his father; or the shame of Antonio in the end. The DVD released in Brazil by Spectra Nova has good quality of image, subtitles in yellow but no Extras. The DVD released by Versátil uses the same matrix of Spectra Nova but with subtitles in white, and it is difficult the reading by the viewer. However, there are many Extras. My vote is ten.
Title (Brazil): "Ladrões de Bicicleta" ("Thieves of Bicycle")
- claudio_carvalho
- 22 mars 2010
- Permalien
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Détails
Box-office
- Budget
- 133 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 371 111 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 377 $US
- 4 oct. 1998
- Montant brut mondial
- 451 336 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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What is the streaming release date of Le Voleur de bicyclette (1948) in Brazil?
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