Le cambrioleur

Titre original : The Burglar

1957
Approved
1h 30min

NOTE IMDb

6,5/10

2,1 k

MA NOTE

Jayne Mansfield in Le cambrioleur (1957)

Lire trailer1:59

1 Video

60 photos

Film Noir Drama Thriller

Un policier et un voleur cherchent a s'approprier un collier d'une grande valeur.Un policier et un voleur cherchent a s'approprier un collier d'une grande valeur.Un policier et un voleur cherchent a s'approprier un collier d'une grande valeur.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,5/10

2,1 k

MA NOTE

Voir les informations de production sur IMDbPro

Vidéos1

Trailer 1:59

The Burglar

Photos60

+ 55

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Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
Filmed in the summer of 1955 but not released until 1957, in order to cash in on the sudden fame of Jayne Mansfield.

Gaffes
The 1951 Chevy driven by Nat Harbin is described as "light gray" over the police radio and in the teletype voice-over, yet the description on the teletype reads that the car is "green."

Citations
Della: What's your name?
Nat Harbin: Nathaniel... Say, what is this? What do you want?
Della: Basically - basically, I'm out to find myself a man. Wait for me outside.
Nat Harbin: Are you kidding?
Della: No. No, Nathaniel, I'm not kidding.
Nat Harbin: Well, that's tough on you. Sorry, no sale.
Della: [slaps Nat] Just to let you know, I'm - not selling anything.

Crédits fous
All credits are in lower case, including title card, cast list, crew names and occupations, and "the end".

Connexions
Featured in Jayne Mansfield: La tragédie d'une blonde (2013)

Bandes originales
You Are Mine
Vocal by Vince Carson
Music and Lyrics by Bob Marcucchi and Pete DeAngelo
[Gladden and Charlie dance to the song at the club in Atlantic City]

Avis des utilisateurs39

Commentaire à la une

6/10

This should pass some time quite well

Let's break this film into 3 scenes: the intro and robbery – good. The ending – good. The wordy bit in the middle – awful.

There is a reasonable (not brilliant) story in there and the cast make a good fist of that but the overly emotional scenes which bind the story together just don't work. That the score is overpowering doesn't help.

But this film could have been so much better if it was tightened up. There are some decent jazz rhythms humming away in the background which could have been worked on and the dramatisation I refer to in the middle could also have been better arranged.

On the plus side, the seedy setting suits the film and I appreciate the straightforward action – no need for choreographed martial arts when a few decent punches (carefully played in the background) do the job.

I wouldn't go out of my way to watch this film again but...if you have 90 minutes to kill it is worth persevering with.