Un voleur de bijoux à la retraite cherche à prouver son innocence après avoir été soupçonné de vol.Un voleur de bijoux à la retraite cherche à prouver son innocence après avoir été soupçonné de vol.Un voleur de bijoux à la retraite cherche à prouver son innocence après avoir été soupçonné de vol.
- Récompensé par 1 Oscar
- 1 victoire et 5 nominations au total
George Adrian
- Detective
- (non crédité)
John Alderson
- Detective at the Costume Ball
- (non crédité)
Martha Bamattre
- Kitchen Helper
- (non crédité)
René Blancard
- Commissaire Lepic
- (non crédité)
Eugene Borden
- French Waiter
- (non crédité)
Nina Borget
- Frenchwoman
- (non crédité)
George Boyce
- Party Guest
- (non crédité)
John Breen
- Party Guest
- (non crédité)
Margaret Brewster
- Cold-cream Woman
- (non crédité)
Ralph Brooks
- Casino Patron
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesCary Grant had announced his retirement from acting in February 1953, stating that, since the rise of Method actors like Marlon Brando, most people were no longer interested in seeing him. He was also angry at the way Sir Charles Chaplin had been treated by the HUAC. He was lured out of his retirement to make this movie, and thereafter continued acting for a further eleven years.
- GaffesJohn says he'll leave his clothes with Danielle, but later, when he is at the flower market, he's in the same clothes.
However it is quite likely that he met up with her before going to the market and this meeting was simply omitted as it contributes nothing else to the story. This is the only plausible explanation, since he was unlikely to be concealing money in his swimming trunks either, and it's improbable that he walked the 20 miles from Cannes to Nice for the meeting, barefoot in just his trunks.
- Citations
Frances Stevens: Mother, the book you're reading is upside down!
- Crédits fousThe opening title sequence shows the window of a travel agent, with the text of the titles superimposed. The bottom of the window is not quite horizontal because the window is seen from a slight angle to perpendicular. The text of the titles is given slight parallelogram distortion so the bottom line of text is parallel to the window-sill, and therefore it is not horizontal and parallel with the film frame.
- ConnexionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
Commentaire à la une
In between his suspense masterpieces,Alfred Hitchcock sometimes liked to work on less intense projects,and this is one of them.There isn't much opportunities for palm-sweating tension or balletically-composed thrills as you'd expect from old Hitch,but in TO CATCH A THIEF this seems quite deliberate.The intention from the very start is partaking in a light comedy-thriller,and on this level it is very enjoyable.And accomplished performers such as Cary Grant,Grace Kelly,Jessie Royce Landis and John Williams further help to give it further resonance and quality.The one disappointment in the film is it's slow pace.There are some parts in the film that drag and produce lethargy,but the beautiful locations,photography and cast save it,including a witty and sometimes surprisingly risqué script which caused some concern from censors at the time.Grant and Kelly rank as one of the best romantic couples ever on screen,and rub genuine sparks off each other.Even at 50 years old,Grant is as handsome,if not more handsome,than he ever was previously,and also looks amazingly lithe,agile and fit,as befits a retired cat burglar,and despite being almost double Grace Kelly's age,is wholly convincing as her suitor.Grace herself never looked more alluring and ravishing,and Jessie Royce Landis and John Williams provide fine support.Williams himself is barely a year older than Grant,yet you wouldn't suspect that at all when they're together on screen,and how ludicrous it is compared to Grant when towards the film's end Kelly puts a relieved head on his shoulder(even Williams himself seems embarrassed!).Such is Grant's eternal youthfulness that Miss Landis played his mother in the superior NORTH BY NORTHWEST(1959);the fact is she's a few months younger than Cary!
There's a well-known tragic coda to the film;the later titled Princess Grace of Monaco lost her life in a car accident on the very same stretches of road that Hitchcock filmed a chase sequence,but barring this sad fact TO CATCH A THIEF is still very decent Hitchcock,not great Hitchcock.But very decent Hitchcock is still far better than 95% of other directors,so there's no problem in watching and enjoying this film.
There's a well-known tragic coda to the film;the later titled Princess Grace of Monaco lost her life in a car accident on the very same stretches of road that Hitchcock filmed a chase sequence,but barring this sad fact TO CATCH A THIEF is still very decent Hitchcock,not great Hitchcock.But very decent Hitchcock is still far better than 95% of other directors,so there's no problem in watching and enjoying this film.
- BJJManchester
- 10 mars 2006
- Permalien
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Détails
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut mondial
- 7 117 $US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was La main au collet (1955) officially released in India in Hindi?
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