NOTE IMDb
5,9/10
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MA NOTE
Ajouter une intrigue dans votre langueA giant, radioactive octopus rises from the Philippine Trench to terrorize the North American Pacific Coast.A giant, radioactive octopus rises from the Philippine Trench to terrorize the North American Pacific Coast.A giant, radioactive octopus rises from the Philippine Trench to terrorize the North American Pacific Coast.
Tol Avery
- Navy Intern
- (non crédité)
William Bryant
- Helicopter Pilot
- (non crédité)
Del Courtney
- Naval Asst. Sec. Robert David Chase
- (non crédité)
Roy Engel
- Control Room Officer Ordering Drop Nets
- (non crédité)
Eddie Fisher
- McLeod
- (non crédité)
Duke Fishman
- Merchant Seaman
- (non crédité)
Herschel Graham
- Restaurant Patron
- (non crédité)
Sam Hayes
- Radio Newscaster
- (non crédité)
Jules Irving
- King
- (non crédité)
S. John Launer
- Naval Doctor With Stethoscope
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesKenneth Tobey completes a military trifecta in this movie. In La Chose d'un autre monde (1951) he played an Air Force Captain, in Le Monstre des temps perdus (1953) an Army Colonel and in this a Navy Commander.
- GaffesFaith Domergue says toward the end of the movie that another giant octopus attacked in the 12th Century as a result of the eruption of Mt. Vesuvius. The AD 79 eruption of Vesuvius is the most famous, but in the 12th century it erupted in both 1139 and 1150.
- Citations
[Prof. Carter pulls an octopus from an aquarium tank]
Prof. John Carter: Here, gentlemen, is your villain.
Naval Asst. Sec. Robert David Chase: It would take an enormous number of those to disable a Navy submarine.
Prof. Lesleyl Joyce: Or just one of enormous size, Mr. Chase.
- Crédits fousThe opening credits rise up out of the ocean waves.
- Versions alternativesOriginally, just before Matthews met Joyce and Carter, there was a freeze frame of him walking in the parking lot. Recent DVD releases smooth this out by adding a flash of sunlight at the appropriate moment.
- ConnexionsEdited into The Giant Claw (1957)
Commentaire à la une
I've been a fan of Ray Harryhausen since I was old enough to appreciate movies, so I bought the DVD of "It Came From Beneath the Sea" even though I hadn't seen the film in many years. Having rewatched it, I have to admit that it's perhaps the least of his film accomplishments.
Once again, the atomic bomb provides the justification for another giant monster, though, despite what has been inaccurately reported elsewhere, the octopus in the film has not been mutated by radiation. It's simply a very large example of its kind that was living at the bottom of a deep ocean trench. When atomic testing made it radioactive, it couldn't effectively hunt because other sea creatures could somehow sense its presence. Therefore, it came to the surface in search of food.
One of the major problems with this film is that while an octopus makes a decent giant monster, it completely lacks the personality of some of Harryhausen's other creatures. Furthermore, it is confined to the sea--and, by extension, the shoreline--limiting its ability to go on a proper rampage.
Even at 79 minutes, the film moves very slowly until the climax. The opening sequence, in which the beast attacks a submarine captained by Kenneth Tobey's character, goes on for several very long minutes of inconsequential naval dialogue.
The lethargic pacing extends to the plot as well. The team of scientists assigned to determine what attacked the sub take a full two weeks to identify it as an octopus.
An odd love triangle of sorts pads the running time. Faith Domergue--who is presented as a modern feminist despite her tendency to scream on cue--seems just as interested in Tobey's navy man as she does in her fellow scientist. The two men acknowledge the triangle, but neither seems at all competitive about it.
Domergue is one of the best things about the film. She's credible as both scientist and sweater gal, and is a good example of the increasing role of female characters in science-fiction films of the period.
Once the octopus attacks in earnest, things pick up quite a bit, and Harryhausen's effects--including stop-motion-animated building demolition--are quite effective. While this is definitely a lesser effort for him, he still shows what he can do with a small budget and a relatively uninteresting monster.
Once again, the atomic bomb provides the justification for another giant monster, though, despite what has been inaccurately reported elsewhere, the octopus in the film has not been mutated by radiation. It's simply a very large example of its kind that was living at the bottom of a deep ocean trench. When atomic testing made it radioactive, it couldn't effectively hunt because other sea creatures could somehow sense its presence. Therefore, it came to the surface in search of food.
One of the major problems with this film is that while an octopus makes a decent giant monster, it completely lacks the personality of some of Harryhausen's other creatures. Furthermore, it is confined to the sea--and, by extension, the shoreline--limiting its ability to go on a proper rampage.
Even at 79 minutes, the film moves very slowly until the climax. The opening sequence, in which the beast attacks a submarine captained by Kenneth Tobey's character, goes on for several very long minutes of inconsequential naval dialogue.
The lethargic pacing extends to the plot as well. The team of scientists assigned to determine what attacked the sub take a full two weeks to identify it as an octopus.
An odd love triangle of sorts pads the running time. Faith Domergue--who is presented as a modern feminist despite her tendency to scream on cue--seems just as interested in Tobey's navy man as she does in her fellow scientist. The two men acknowledge the triangle, but neither seems at all competitive about it.
Domergue is one of the best things about the film. She's credible as both scientist and sweater gal, and is a good example of the increasing role of female characters in science-fiction films of the period.
Once the octopus attacks in earnest, things pick up quite a bit, and Harryhausen's effects--including stop-motion-animated building demolition--are quite effective. While this is definitely a lesser effort for him, he still shows what he can do with a small budget and a relatively uninteresting monster.
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- How long is It Came from Beneath the Sea?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Surgió del fondo del mar
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 19 minutes
- Couleur
- Rapport de forme
- 1.37 : 1(original negative ratio, alternative theatrical ratio)
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By what name was Le monstre vient de la mer (1955) officially released in India in English?
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