Ajouter une intrigue dans votre langueIn 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.In 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.In 1949, former concentration camp inmate and Berlin native Hans Muller, immigrates to Israel where, due to psychological problems, he can't adjust to peacetime life.
- Récompenses
- 1 victoire au total
- Yehoshua Bresler
- (as Joey Walsh)
- Mukhtar
- (scènes coupées)
- Hannah
- (non crédité)
- Refugee
- (non crédité)
- Papa Sander - Susy's Father
- (non crédité)
- Bus Driver
- (non crédité)
- Telephone Girl
- (non crédité)
- Audience Member
- (non crédité)
- Mordecai
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe film is based on author Michael Blankfort's novel with the same title. Initially, producer Stanley Kramer wanted author Michael Blankfort to direct the film but Blankfort was refused a passport for travel to Israel by the United States State Department because Blankfort had been a Communist many years earlier. Kramer reassigned the film to director Edward Dmytryk who served almost a year in prison in 1948 after being convicted of contempt of Congress for refusing to divulge his political affiliations. After his release from prison, Dmytryk moved to England but returned to the U.S. and gave testimony before the House Committee on Un-American Activities and, as a result, was removed from the film industry blacklist.
- Citations
Registration Official at Haifa: Name?
Hans Muller: [softly] Hans Muller
Registration Official at Haifa: You have to speak louder
Hans Muller: HANS MULLER's my name
Registration Official at Haifa: A little softer please. Place of birth?
Hans Muller: Germany... Munich... Beautiful city
Registration Official at Haifa: Occupation before the war?
Hans Muller: You wouldn't believe me
Registration Official at Haifa: I'll believe anything
Hans Muller: I was a juggler.
Registration Official at Haifa: What?
Hans Muller: A juggler
[pantomimes juggling balls in the air]
Registration Official at Haifa: We need a juggler like a hole in the head. What can you do besides throwing things up in the air and catching them?
Hans Muller: My dear sir, to say I throw things up in the air and catch them is like saying Shakespeare just wrote words. Would you care to see my scrapbook?
Registration Official at Haifa: No. Show it when you look for a job... if there are any for jugglers
Hans Muller: I'm retired. I havent thrown up anything but bad food in ten years
Registration Official at Haifa: So what else can you do?
Hans Muller: I can wash dishes, sweep barracks, clean toilets. I can also smile while being beaten by fists, feet, straps and long rubber hoses. I can be used as a guinea pig for new drugs and old poisons. All of which we learned as guests of the Nazis.
- ConnexionsFeatured in The Dick Cavett Show: Kirk Douglas (1971)
** 1/2 (out of 4)
Kirk Douglas plays a Holocaust survivor who is still suffering mental illness after ten years in a concentration camp where he also learned that his wife and children were killed by being put in an oven. After the war Douglas goes to Israel to try and start his life over but his mental condition nearly leads to him killing a cop but he heads off and finds new friends in a closed off community but his past is still looking for him. Edward Dymtryk directed this film, which has its heart in the right place but there are a few major flaws that really kills the film. Needless to say, Douglas gives a very strong and heartbreaking performance and I've heard this is one of his favorites. There's a scene towards the start of the film where he sees a woman with two children and thinks that they are his even though he knows they're really dead. The breakdown Douglas shows in this scene is among the best of his career. There are countless dramatic moments like this one and here lies one of the problems. Douglas gives a strong enough of a performance where the director should have let the acting do the talking but instead of doing that he pumps up the music score. Every time something dramatic happens he pumps up the music score and this here killed most of the drama for me. The film also wants to make the viewer cry every few minutes and this doesn't work either.
- Michael_Elliott
- 27 févr. 2008
- Permalien
Meilleurs choix
- How long is The Juggler?Alimenté par Alexa
Détails
- Durée1 heure 24 minutes
- Couleur
- Rapport de forme
- 1.37 : 1