Un bureaucrate essaie de trouver un sens à sa vie suite à la découverte qu'il a un cancer en phase terminale.Un bureaucrate essaie de trouver un sens à sa vie suite à la découverte qu'il a un cancer en phase terminale.Un bureaucrate essaie de trouver un sens à sa vie suite à la découverte qu'il a un cancer en phase terminale.
- Nomination aux 1 BAFTA Award
- 6 victoires et 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesWhen Takashi Shimura rehearsed his singing of "Song of the Gondola," director Akira Kurosawa instructed him to "sing the song as if you are a stranger in a world where nobody believes you exist."
- GaffesWhen Kanji and the Novelist go to a busy, loud nightclub, the film has been reversed as evidenced by the backwards "Nippon Beer" banner in the background.
- ConnexionsFeatured in The Siskel & Ebert 500th Anniversary Special (1989)
- Bandes originalesJ'ai Deux Amours
(uncredited)
Music by Vincent Scotto
Lyrics by Georges Koger and Henri Varna
Performed by Josephine Baker
[Played when entering the bar with the long-faced man]
Commentaire à la une
Ikiru ("to live")is a Kurosawa film devoid of samurai or Toshiro Mifune. It is an oddity in his canon, neither an adaptation, nor an epic, or even a detective story. Instead, it is the simple and touching story of the last months of the life of a man, Watanabbe, public official, who decides to give a meaning to his life by transcending the obtuse and stiff mind of government bureaucracy to get a small public children's park built. As a parable for the soulless workings of modern bureaucracy, the goal is set pretty high, and Kurosawa goes even further, giving this story a lot of character, frequent humor, life and, most of all, heart. And going beyond the strengths of the direction and script, is the central performance by Takashi Shimura (later Kambei in Seven Samurai). Shimura gives his character such a transparently good heart and such great pain that every second of Watanabe's plight and struggle tugs at your heart, not in an overwhelmingly sentimental manner, but in one than feels honest and pure. If even many hardened souls will be drawn to tears, it is not for pity, but, admirably, because of envy for Watanabe's beautiful human dignity in the end, and for a film to have such power is beyond pure accomplishment, as the need to see this and, more importantly, feel it, goes beyond pure necessity...
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 60 239 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 149 $US
- 29 déc. 2002
- Montant brut mondial
- 113 262 $US
- Durée2 heures 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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