La réussite du voyage est liée à la survie de la jeune fille indienne ainsi que sur leur capacité à mener à bien des échanges commerciaux avec les Pieds-Noirs.La réussite du voyage est liée à la survie de la jeune fille indienne ainsi que sur leur capacité à mener à bien des échanges commerciaux avec les Pieds-Noirs.La réussite du voyage est liée à la survie de la jeune fille indienne ainsi que sur leur capacité à mener à bien des échanges commerciaux avec les Pieds-Noirs.
- Nommé pour 2 Oscars
- 3 nominations au total
- Blackfoot Dancer
- (non crédité)
- Horse Trader
- (non crédité)
- Tavern Patron
- (non crédité)
- Tavern Proprietor
- (non crédité)
- Tavern Patron
- (non crédité)
- Jailer
- (non crédité)
- Blackfoot Subchief
- (non crédité)
- Pascal
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesWhile shooting La Rivière rouge (1948), there was a scene that director Howard Hawks unsuccessfully urged John Wayne to do. It involved his getting a finger mangled between a saddle horn and a rope, resulting in Walter Brennan's amputating it. Hawks reportedly told Wayne, "If you're not good enough, we won't do it", but Wayne wouldn't do it. According to Hawks biographer Todd McCarthy, Hawks did get Kirk Douglas to do that scene in this film, and it came off so funny that Wayne later declared to Hawks, "If you tell me a funeral is funny, I'll do a funeral."
- GaffesJim expresses amazement at the size of St. Louis. However, he had just come from Louisville, which in 1832 was about twice the size of St. Louis, so it should not have been a source of such astonishment.
- Citations
Zeb Calloway: Blackfeet... proud injuns. They ain't gonna let no white man spile their country. The only thing they'a feared of is a white man's sickness.
Boone Cardell: What's that?
Zeb Calloway: Grabs. White men don't see nothing pretty unless they want to grab it. The more they grab, the more they want to grab. It's like a fever and they can't get cured. The only thing for them to do is to keep on grabbin' until everything belongs to white men and then start grabbin' from each other. I reckon injuns got no reason to love nothing white.
- Crédits fousInstead of the traditional RKO morse code sound, the film's opening theme music is played over the RKO radio tower image. Later, a title card is displayed explaining the premise of the story.
- ConnexionsReferenced in Pour la peau d'un flic (1981)
"The Big Sky" was filmed on location, and this alone makes the film worth watching, for the splenor of the Snake River and Grand Tetons, where the film was actually shot, is breathtaking.
But "The Big Sky" has other virtues which raise it far above the average "scenic". First, is the multi-layered plot. Besides the story of an enterprise, "The Big Sky" is about how men, in a time long past, interacted, when their differences were subordinated to a higher purpose. Second, is director Howard Hawks, whose trademark "naturalistic dialogue" technique is put to wonderful use here. Hawks works on complex relationships - male and female, "Frenchie" and Anglo backwoodsmen, Native Americans and whites - like a conductor a symphony. Third, and perhaps most touching, is the tale of male bonding not only among the group of men, but one-on-one between Jim Deakins, played by Kirk Douglas, and Boone, his young sidekick, played by Hawks protegé Dewey Martin. There's a nice, touching story toward the end.
This is a shamefully underrated film. Superb cinematography (Oscar nominated), rich plot, flawless casting (Arthur Hunnicutt nominated for Best Supporting Oscar), masterful direction, make "The Big Sky" a true classic.
- jacksflicks
- 11 mars 2000
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Les hommes de l'ouest
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $US (estimé)
- Durée2 heures 20 minutes
- Couleur
- Rapport de forme
- 1.37 : 1