NOTE IMDb
6,0/10
895
MA NOTE
Ajouter une intrigue dans votre langueAn enigmatic gang leader known as "The Boss," who is a dead-ringer for Simon, puts "The Saint" under suspicion of murder.An enigmatic gang leader known as "The Boss," who is a dead-ringer for Simon, puts "The Saint" under suspicion of murder.An enigmatic gang leader known as "The Boss," who is a dead-ringer for Simon, puts "The Saint" under suspicion of murder.
Helene Reynolds
- Anne Bitts
- (as Helene Whitney)
Stanley Blystone
- Detective Sadler
- (non crédité)
Ralph Dunn
- Police Sergeant
- (non crédité)
Byron Foulger
- Ephraim Byrd
- (non crédité)
Billy Franey
- Street Shooting Witness
- (non crédité)
Edward Gargan
- Police Sergeant
- (non crédité)
William Haade
- Helm Van Roon aka 'The Dutchman'
- (non crédité)
Donald Kerr
- Card Player
- (non crédité)
Pat McKee
- Card Player
- (non crédité)
Lal Chand Mehra
- Cairo Express Office Clerk
- (non crédité)
Walter Miller
- Mac - Bartender
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAt the beginning, when Partner (Bela Lugosi) ships the coffin-shaped wooden box, he is charged £4 and 6s. That would equate to about $350.00 in 2024.
- GaffesThe mummy's coffin that is shipped from Cairo is obviously different from the one that arrives at Professor Bitts' home. The writing on the coffin that arrives at Professor Bitts' home is neater, the "Paid" stamps are in different locations, and the twine around the coffin is in a different location.
- Citations
Policeman: [after he's shot "The Boss"] Shall I call an ambulance?
Inspector Henry Fernack: Better make it a hearse.
- ConnexionsFollowed by Le Saint reprend du service (1940)
Commentaire à la une
Simon Templar (George Sanders), known as "The Saint", whom everyone believed to be in Egypt, suddenly turns up back in Philadelphia, at the home of his friend, Professor Bitts (Thomas W. Ross). Although the reasons aren't given in the film, apparently there is some disagreement over Simon's moral character. When bodies start turning up with incriminating evidence pointing to The Saint, the police try to track him down. However, it turns out that there is more to the story than meets the eye.
I probably shouldn't be reviewing this film until I watch it again (if I do), but I'll just revise my review then if appropriate. As it stands, I have to give this film a generous 4 out of 10.
While The Saint's Double Trouble has promise--nice black and white photography, some good performances (especially by Sanders and Jonathan Hale as inspector Fernack), one of my favorite actors/character actors, Bela Lugosi, has an odd part in it, and the story seems like it should be interesting--the script was a disaster. Part of the problem may have been that this is apparently an entry in a long-running series, and there's no way it's going to make sense out of the context of the series. I haven't seen any of the other films yet, so I have to review this one in isolation.
The script ends up being largely loose threads. Important parts of the backstory are neither shown nor explained. There is a mummy (the presence of which got me very interested in the beginning) that ends up being meaningless to the plot (the little use it had could have been much more easily accomplished by another means). At one point, half of a knife makes an appearance as a token of a mystery, but it is never mentioned again. Characters completely drop out of the film.
Worst of all, the plot hinges on the appearance of Boss Duke Bates, a look-alike for Simon Templar, also played by George Sanders. As can be expected, there are a number of points that rest on confused identities (that's the bulk of the film, actually). The problem is that by the end, I was also so confused that I had no idea which appearance of George Sanders was supposed to be which character, and confusion on this didn't seem to be the point of the conclusion.
Again, maybe this is a fine chapter in a longer story when viewed with the other Saint films, in order. But to start here, I can't recommend The Saint's Double Trouble. It doesn't work as a stand-alone film.
I probably shouldn't be reviewing this film until I watch it again (if I do), but I'll just revise my review then if appropriate. As it stands, I have to give this film a generous 4 out of 10.
While The Saint's Double Trouble has promise--nice black and white photography, some good performances (especially by Sanders and Jonathan Hale as inspector Fernack), one of my favorite actors/character actors, Bela Lugosi, has an odd part in it, and the story seems like it should be interesting--the script was a disaster. Part of the problem may have been that this is apparently an entry in a long-running series, and there's no way it's going to make sense out of the context of the series. I haven't seen any of the other films yet, so I have to review this one in isolation.
The script ends up being largely loose threads. Important parts of the backstory are neither shown nor explained. There is a mummy (the presence of which got me very interested in the beginning) that ends up being meaningless to the plot (the little use it had could have been much more easily accomplished by another means). At one point, half of a knife makes an appearance as a token of a mystery, but it is never mentioned again. Characters completely drop out of the film.
Worst of all, the plot hinges on the appearance of Boss Duke Bates, a look-alike for Simon Templar, also played by George Sanders. As can be expected, there are a number of points that rest on confused identities (that's the bulk of the film, actually). The problem is that by the end, I was also so confused that I had no idea which appearance of George Sanders was supposed to be which character, and confusion on this didn't seem to be the point of the conclusion.
Again, maybe this is a fine chapter in a longer story when viewed with the other Saint films, in order. But to start here, I can't recommend The Saint's Double Trouble. It doesn't work as a stand-alone film.
- BrandtSponseller
- 18 janv. 2005
- Permalien
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Détails
- Durée1 heure 7 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Simon Templar face au Saint (1940) officially released in India in English?
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