Ajouter une intrigue dans votre langueAn arrogant mobster, sentenced to a long prison term in Sing Sing, becomes a changed man when given a chance by the fair and progressive warden.An arrogant mobster, sentenced to a long prison term in Sing Sing, becomes a changed man when given a chance by the fair and progressive warden.An arrogant mobster, sentenced to a long prison term in Sing Sing, becomes a changed man when given a chance by the fair and progressive warden.
Eddie Acuff
- Bill
- (non crédité)
Ernie Adams
- Kelner
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesSpencer Tracy starred in the original version, Vingt mille ans sous les verrous (1932). He and Pat O'Brien (Warden Long) were lifelong friends, growing up together in Milwaukee, going to the Marquette Academy, and even joining the Navy together when they came of age. They also attended the American Academy of Dramatic Arts (AADA) in New York City where they roomed together while attending classes.
- GaffesIn all of the newspaper headlines, and in the warden's list of death row inmates, Tommy's surname is spelled "Gordan," and Mike's surname is spelled "Kagel," but in the cast credits, they are spelled "Gordon" and "Cagle," Tommy's as it also is on the telegram the Warden passes along to Tommy.
- Citations
Kay Manners: I don't know why I even try and talk to you. I'm a chump.
Tommy Gordan: For loving me?
Kay Manners: Yes.
Tommy Gordan: That's why I... sort of like you.
- ConnexionsEdited into 365 days, also known as a Year (2019)
Commentaire à la une
John Garfield steps into the shoes of, most obviously Spencer Tracy (it is, after all, a remake of the earlier "20000 Years in Sing Sing") and also Cagney (in "Angels With Dirty Faces") in Anatole Litvak's prison drama, even finding himself pitted against Tracy's old mate and Cagney's "Angels" co-star Pat O'Brien.
Garfield is the upwardly mobile mobster who finally takes a fall, winding up in the notorious Osining or Sing Sing penitentiary under the tough but fair governorship of O'Brien. Garfield is initially defiant but it's amazing what three months in solitary confinement and worrying about the girl you left behind, in this case, Ann Sheridan can do to even the toughest of tough guys and soon the one-time rebel is starting to play ball with the law, to use Dylan's phrase.
When he learns that Sheridan is critically ill after a close encounter with his supposedly supportive but in truth, backstabbing lawyer, Garfield's good behaviour inside sees him allowed out by the benevolent governor on an own-recognisance overnight furlough (whoever heard of such a thing for such a dangerous criminal!), to visit his ailing girl, but rats!, this falls on a Saturday which as we've already been made well aware, is Jinx-day for Johnny.
Sure enough, it all goes wrong when Garfield visits Sheridan in hospital and accidentally encounters his two-timing lawyer and there's also the little matter of the governor, who stands to lose his job if Garfield doesn't do the honourable thing and turn himself back in, leaving the stage clear for a climactic Rocky Sullivan-type dilemma for our hero.
Litvak keeps the action moving briskly and there's good synergy among the three leads, enmeshing Garfield's typically hot-wired demeanour, O'Brien's paternal concern and Sheridan's blind devotion. A young Burgess Meredith also makes a good impression as a would-be escapee.
As usual, Litvak inserts a montage or three into the action, but overall this short but sharp early-noir thriller built around the charismatic Garfield is well worth tracking down.
Garfield is the upwardly mobile mobster who finally takes a fall, winding up in the notorious Osining or Sing Sing penitentiary under the tough but fair governorship of O'Brien. Garfield is initially defiant but it's amazing what three months in solitary confinement and worrying about the girl you left behind, in this case, Ann Sheridan can do to even the toughest of tough guys and soon the one-time rebel is starting to play ball with the law, to use Dylan's phrase.
When he learns that Sheridan is critically ill after a close encounter with his supposedly supportive but in truth, backstabbing lawyer, Garfield's good behaviour inside sees him allowed out by the benevolent governor on an own-recognisance overnight furlough (whoever heard of such a thing for such a dangerous criminal!), to visit his ailing girl, but rats!, this falls on a Saturday which as we've already been made well aware, is Jinx-day for Johnny.
Sure enough, it all goes wrong when Garfield visits Sheridan in hospital and accidentally encounters his two-timing lawyer and there's also the little matter of the governor, who stands to lose his job if Garfield doesn't do the honourable thing and turn himself back in, leaving the stage clear for a climactic Rocky Sullivan-type dilemma for our hero.
Litvak keeps the action moving briskly and there's good synergy among the three leads, enmeshing Garfield's typically hot-wired demeanour, O'Brien's paternal concern and Sheridan's blind devotion. A young Burgess Meredith also makes a good impression as a would-be escapee.
As usual, Litvak inserts a montage or three into the action, but overall this short but sharp early-noir thriller built around the charismatic Garfield is well worth tracking down.
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Détails
- Durée1 heure 17 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Castle on the Hudson (1940) officially released in India in English?
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