NOTE IMDb
7,5/10
20 k
MA NOTE
Une domestique du domaine des Hauts de Hurlevent raconte à un voyageur le récit tragique des amants Cathy et Heathcliff.Une domestique du domaine des Hauts de Hurlevent raconte à un voyageur le récit tragique des amants Cathy et Heathcliff.Une domestique du domaine des Hauts de Hurlevent raconte à un voyageur le récit tragique des amants Cathy et Heathcliff.
- Récompensé par 1 Oscar
- 7 victoires et 7 nominations au total
Sarita Wooton
- Cathy (as a child)
- (as Sarita Wooten)
Frank Benson
- Heathcliff Servant
- (non crédité)
Romaine Callender
- Robert
- (non crédité)
Richard Clucas
- Little Boy
- (non crédité)
Vernon Downing
- Giles
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesLaurence Olivier found himself becoming increasingly annoyed with director William Wyler's exhausting style of filmmaking. After yet another take, he is said to have exclaimed, "For God's sake, I did it sitting down. I did it with a smile. I did it with a smirk. I did it scratching my ear. I did it with my back to the camera. How do you want me to do it?" Wyler's retort was, "I want it better." However, Olivier later said these multiple takes helped him learn to succeed as a movie actor.
- GaffesThough the social situations, and even the soundtrack, are consistent with the novel's timeframe of 1770-1801, the Colonial/Napoleonic era, the costumes are an odd mix of mid-Victorian and American Civil War.
- Citations
Heathcliff: Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.
- Crédits fousOpening credits prologue: On the barren Yorkshire moors in England, a hundred years ago, stood a house as bleak and desolate as the wastes around it. Only a stranger lost in a storm would have dared to knock at the door of Wuthering Heights.
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA Srl: "CIME TEMPESTOSE (1939) + ORGOGLIO E PREGIUDIZIO (1940)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in AFI Life Achievement Award: A Tribute to William Wyler (1976)
- Bandes originalesPiano Sonata in A major, K.331: Rondo alla Turca
(1778) (uncredited)
Music by Wolfgang Amadeus Mozart
Played by Alice Ehlers on harpsichord
Commentaire à la une
Great literature enriches the soul. The Brontes created great literature because they invented so much of what it means. They invented ways of observing the soul that hadn't already been mined by Shakespeare. If you want a great film that celebrates, explores, exploits Bronte, you can't escape the reality that you'd have to stretch film the same way Charlotte stretched perspective.
Didn't happen here. Olivier seemed good enough at what he knew (stage acting) but that isn't bendable to great experiences in film. Never was.
But you might want to watch this for another reason. The dialog and acting are ordinarily conceived. But the cinematography is extraordinary, from the very special Greg Toland. Greg DID stretch cinema in the way we mentioned. His greys have depth. When he photographs the heath, we feel the atmosphere as if the mist had emotion.
The interiors of the house are magnificent in design. And Toland's lighting and framing are so haunting.
This film is why Orson Welles wanted him on "Citizen Kane." You need to watch it to see where much of the disembodied ghost-observer comes from. With Toland, Cathy defines what we see and how.
But the actual story? Go read it instead.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Didn't happen here. Olivier seemed good enough at what he knew (stage acting) but that isn't bendable to great experiences in film. Never was.
But you might want to watch this for another reason. The dialog and acting are ordinarily conceived. But the cinematography is extraordinary, from the very special Greg Toland. Greg DID stretch cinema in the way we mentioned. His greys have depth. When he photographs the heath, we feel the atmosphere as if the mist had emotion.
The interiors of the house are magnificent in design. And Toland's lighting and framing are so haunting.
This film is why Orson Welles wanted him on "Citizen Kane." You need to watch it to see where much of the disembodied ghost-observer comes from. With Toland, Cathy defines what we see and how.
But the actual story? Go read it instead.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Cumbres borrascosas
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 624 643 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 493 $US
- 9 avr. 1989
- Montant brut mondial
- 624 643 $US
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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