Ajouter une intrigue dans votre langueAdults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.Adults who grew up as slum kids meet later in life, but murder disrupts their reunion.
Photos
Joe Downing
- Frank Diamond
- (as Joseph Downing)
Scotty Beckett
- Mike O'Mara as a Child
- (non crédité)
Stanley Blystone
- Policeman with Doorman
- (non crédité)
Tommy Bupp
- Jerry Donovan as a Child
- (non crédité)
Neal Burns
- Emergency Squad Man
- (non crédité)
Howard Christie
- Emergency Squad Man
- (non crédité)
Drew Demorest
- Cab Driver
- (non crédité)
George DeNormand
- Diamond's Henchman
- (non crédité)
Mike Donovan
- Policeman at Headquarters
- (non crédité)
Bill Elliott
- James Brewster
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis movie was no 57.734 on the Swedish Censorship Board. It was not allowed to be shown at Swedish cinemas, and Universal apparently never cared to make any cuts.
- GaffesAt the end of the movie, the memorial park sign, shown twice, dedicates the park to the Boys of Hell's Kitchen. In the playground scene, there are plenty of girls in dresses.
Commentaire à la une
Pretty good thick-ear. Four Hell's Kitchen kids keep up their friendship into adulthood even though one has become a gambler (McLaglen), one a priest (Kelly), two are cops (Gargan & Gallaudet), and the girl (Roberts) a singer. Now their lives intertwine in problematic ways as crime confronts the law.
Looks like the plot's a variation on a familiar theme of the time (1930's)—kids growing up on opposite sides of the law only to confront one another later on. The concept creates a rich mine for conflicting emotions and loyalties. Here McLaglen has to navigate between gambling interests and loyalty to boyhood friends. The narrative sticks pretty closely to this line with its complications. The acting's okay, though emotions never build to an intensity. Instead, we're pulled along more by plot than characters. Certainly, McLaglen is capable of an intensity when so called upon, but not here. Oddly, there's not much action or violence despite the loaded title. I guess the two fires and smoke are supposed to justify the hellish expectations.
All in all, the hour seldom rises above programmer status, but might serve old movie fans on a slow evening.
Looks like the plot's a variation on a familiar theme of the time (1930's)—kids growing up on opposite sides of the law only to confront one another later on. The concept creates a rich mine for conflicting emotions and loyalties. Here McLaglen has to navigate between gambling interests and loyalty to boyhood friends. The narrative sticks pretty closely to this line with its complications. The acting's okay, though emotions never build to an intensity. Instead, we're pulled along more by plot than characters. Certainly, McLaglen is capable of an intensity when so called upon, but not here. Oddly, there's not much action or violence despite the loaded title. I guess the two fires and smoke are supposed to justify the hellish expectations.
All in all, the hour seldom rises above programmer status, but might serve old movie fans on a slow evening.
- dougdoepke
- 29 nov. 2016
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hell's Kitchen
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 5 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was The Devil's Party (1938) officially released in Canada in English?
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