NOTE IMDb
6,5/10
13 k
MA NOTE
Un avocat de Londres heureux dans son couple tombe amoureux de l'empoisonneuse accusée qu'il défend.Un avocat de Londres heureux dans son couple tombe amoureux de l'empoisonneuse accusée qu'il défend.Un avocat de Londres heureux dans son couple tombe amoureux de l'empoisonneuse accusée qu'il défend.
- Nommé pour 1 Oscar
- 1 nomination au total
Alida Valli
- Maddalena Anna Paradine
- (as Valli)
Patrick Aherne
- Police Sgt. Leggett
- (non crédité)
Gilbert Allen
- Undetermined Role
- (non crédité)
John Barton
- Courtroom Spectator
- (non crédité)
Leonard Carey
- Courtroom Stenographer
- (non crédité)
Steve Carruthers
- Courtroom Spectator
- (non crédité)
Constance Cavendish
- Minor Role
- (non crédité)
Russell Custer
- Barrister in Courtroom
- (non crédité)
Jack Deery
- Juror
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesWhen Sir Alfred Hitchcock delivered the completed movie to the studio, after a Hitchcock record of ninety-two days of filming, it ran almost three hours. This rough cut was initially trimmed to two hours and twelve minutes, which was the version screened for the Academy of Arts & Sciences. In this version, Ethel Barrymore can be seen as the half-crazed wife of Lord Horfield, which explains the Oscar nomination for her performance (there was apparently a brilliant museum scene where Lady Horfield requests Anthony Keane to save Mrs. Paradine, and another scene where Lady Horfield tries to hide her coughing from her husband). Producer David O. Selznick subsequently cut the film to two hours and five minutes, and then to its present length of one hour and fifty-four minutes, in which Barrymore's screen time totals about three minutes. In 1980, a flood reputedly destroyed the original, uncut version, making the restoration of the cut scenes unlikely, although it has been reported that some of these cut scenes reside at the George Eastman House in Rochester, New York.
- GaffesWhen Latour appears outside Keane's inn room, the wind is blowing wildly, whipping Latour's hair across his forehead; yet just a split-second later, after Latour has entered the room, his hair is perfectly combed without a hair out of place.
- Citations
Judge Lord Thomas Horfield: I do not like to be interrupted in the middle of an insult.
- Crédits fousIn opening credits scroll below Ethel Barrymore: "and two new / Selznick Stars / Louis Jourdan / and / Valli". Alida Valli's name is in script form, and Jourdan had been playing leading roles in French films for several years before making "The Paradine Case".
- Versions alternativesOriginally released at 132 minutes.
- ConnexionsFeatured in American Masters: Hitchcock, Selznick and the End of Hollywood (1998)
Commentaire à la une
Because this movie has so few of the features normally associated with a Hitchcock picture, it has a rather poor reputation. But it has a fine cast, most of whom perform quite well, and if the story is taken on its own merits it is interesting, although slow-moving and heavily dependent on the characters' conversations with one another. If it had been made by someone else, it might seem like more of an accomplishment.
In "The Paradine Case", Mrs. Paradine (Alida Valli) is arrested and tried for the murder of her husband. She is defended by the great lawyer Anthony Keane (Gregory Peck), who quickly becomes intoxicated by his client and loses all objectivity. Even as evidence mounts that she may have done the crime after all, he risks his marriage and reputation on the slightest of chances to find new evidence. It moves quite slowly, but is helped by the presence of many good supporting characters and a fine cast that portrays them convincingly. Things come together in a lengthy courtroom sequence that is sometimes uncomfortable to watch, but tense and realistic.
Many viewers feel let down by the film because it lacks the energy and excitement found in most of Hitchcock's films, and because the courtroom setting creates expectations that are not quite filled. Indeed, it does have its faults, and it's hard to believe that someone of Hitchcock's creative genius could not have thought of some ways to give more life to the body of the picture, because there are times when it really crawls along. But taken on its own merits, it is a pretty good movie, carefully filmed as always, and one that gives the viewer plenty to think about. There are some good scenes, with the best one being the subtly crafted opening sequence of Mrs. Paradine being arrested in her elegant home and taken to prison.
Many Hitchcock fans will not particularly enjoy this one, although if you like his more somber masterpieces such as "Vertigo", you might at least want to give this one a try - not that it is nearly as good as "Vertigo" (how many films are), but it is somewhat similar in tone. It works much better as straight drama, rather than as suspense or mystery, and as such it is worth watching.
In "The Paradine Case", Mrs. Paradine (Alida Valli) is arrested and tried for the murder of her husband. She is defended by the great lawyer Anthony Keane (Gregory Peck), who quickly becomes intoxicated by his client and loses all objectivity. Even as evidence mounts that she may have done the crime after all, he risks his marriage and reputation on the slightest of chances to find new evidence. It moves quite slowly, but is helped by the presence of many good supporting characters and a fine cast that portrays them convincingly. Things come together in a lengthy courtroom sequence that is sometimes uncomfortable to watch, but tense and realistic.
Many viewers feel let down by the film because it lacks the energy and excitement found in most of Hitchcock's films, and because the courtroom setting creates expectations that are not quite filled. Indeed, it does have its faults, and it's hard to believe that someone of Hitchcock's creative genius could not have thought of some ways to give more life to the body of the picture, because there are times when it really crawls along. But taken on its own merits, it is a pretty good movie, carefully filmed as always, and one that gives the viewer plenty to think about. There are some good scenes, with the best one being the subtly crafted opening sequence of Mrs. Paradine being arrested in her elegant home and taken to prison.
Many Hitchcock fans will not particularly enjoy this one, although if you like his more somber masterpieces such as "Vertigo", you might at least want to give this one a try - not that it is nearly as good as "Vertigo" (how many films are), but it is somewhat similar in tone. It works much better as straight drama, rather than as suspense or mystery, and as such it is worth watching.
- Snow Leopard
- 8 juil. 2001
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Le mystère de l'affaire Paradine
- Lieux de tournage
- Lake District, Cumbria, Angleterre, Royaume-Uni(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 258 000 $US (estimé)
- Montant brut mondial
- 6 789 $US
- Durée2 heures 5 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Le procès Paradine (1947) officially released in India in English?
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