NOTE IMDb
7,5/10
23 k
MA NOTE
Un homme condamné pour le meurtre de sa femme s'évade de prison et entreprend de prouver son innocence avec l'aide d'une femme.Un homme condamné pour le meurtre de sa femme s'évade de prison et entreprend de prouver son innocence avec l'aide d'une femme.Un homme condamné pour le meurtre de sa femme s'évade de prison et entreprend de prouver son innocence avec l'aide d'une femme.
John Alvin
- Blackie
- (scènes coupées)
John Arledge
- Lonely Man
- (non crédité)
Leonard Bremen
- Bus Ticket Clerk
- (non crédité)
Clancy Cooper
- Man on Street Seeking Match
- (non crédité)
Deborah Daves
- Child with Aunt Mary
- (non crédité)
Michael Daves
- Michael
- (non crédité)
Tom Fadden
- Diner Counterman Serving Parry
- (non crédité)
Bob Farber
- Policeman
- (non crédité)
Mary Field
- Aunt Mary
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe actual 1937 Art Deco apartment building used in the film (located at 1360 Montgomery St. in San Francisco) is still standing as of 2023. The apartment (No. 10) is marked by a cardboard cut-out of Humphrey Bogart, which can be seen from the street. The site is visited frequently by fans of vintage film noir. The unit has one bath, one bedroom and 861 square feet, and was last sold in 2016 for $1.5M.
- GaffesAfter Parry's bandages are removed, there are no stitches or bruises, nor is there the sort of facial swelling that always results from plastic surgery.
- Citations
Vincent Parry: You know, it's wonderful when guys like you lose out. Makes guys like me think maybe we got a chance in this world.
- Versions alternativesAlso available in a computer-colorized version.
- ConnexionsEdited from La révolte (1937)
- Bandes originalesToo Marvelous for Words
(uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed on record twice by Jo Stafford
Also played on the jukebox at the bus station
Also played at the cafe in Peru and during the end credits
Commentaire à la une
While the least-known and, really, the least impressive of the Bogart/Bacall features, this is still a solid, if rather offbeat, movie that combines a film-noir atmosphere with a gimmick that is meant to drive most of the story. The gimmick works moderately well, though it is really just a diverting sideline to the main drama and acting, which are what really make the movie work.
The premise is interesting enough, at least for a while, and it is interesting to see just how long they can go without showing the face of Bogart's character. They might have stretched it out just a bit too long, since there is more than enough in the rest of the plot to make any further use of the device unnecessary. Bacall and Bogart work together well from the beginning. In itself, the pairing works almost as well here as in their three better-known movies together - it's just that here there is a less for them to work with.
The two stars do get plenty of help from Agnes Moorehead, who plays her role with relish. Tom D'Andrea and Bruce Bennett help out when they get the chance. Delmer Daves also creates a generally believable atmosphere to serve as the background to the story, and to help get it past the less plausible stretches. Overall, while hardly up to the high standard of the other Bogart/Bacall pairings, "Dark Passage" is a solid if unspectacular feature that is worth seeing if you like the stars and/or the genre.
The premise is interesting enough, at least for a while, and it is interesting to see just how long they can go without showing the face of Bogart's character. They might have stretched it out just a bit too long, since there is more than enough in the rest of the plot to make any further use of the device unnecessary. Bacall and Bogart work together well from the beginning. In itself, the pairing works almost as well here as in their three better-known movies together - it's just that here there is a less for them to work with.
The two stars do get plenty of help from Agnes Moorehead, who plays her role with relish. Tom D'Andrea and Bruce Bennett help out when they get the chance. Delmer Daves also creates a generally believable atmosphere to serve as the background to the story, and to help get it past the less plausible stretches. Overall, while hardly up to the high standard of the other Bogart/Bacall pairings, "Dark Passage" is a solid if unspectacular feature that is worth seeing if you like the stars and/or the genre.
- Snow Leopard
- 30 nov. 2004
- Permalien
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 1 600 000 $US (estimé)
- Montant brut mondial
- 9 693 $US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What is the Japanese language plot outline for Les Passagers de la nuit (1947)?
Répondre