Deux anciens soldats, ayant fait entrer clandestinement dans le pays une orpheline française et devenus vendeurs à la sauvette, ont maille à partir avec leur ancien sergent devenu agent de p... Tout lireDeux anciens soldats, ayant fait entrer clandestinement dans le pays une orpheline française et devenus vendeurs à la sauvette, ont maille à partir avec leur ancien sergent devenu agent de police..Deux anciens soldats, ayant fait entrer clandestinement dans le pays une orpheline française et devenus vendeurs à la sauvette, ont maille à partir avec leur ancien sergent devenu agent de police..
- Sylvia Hunter
- (as Joan Fulton)
- Soldier
- (non crédité)
- Tie Demo Bystander
- (non crédité)
- Young Girl
- (non crédité)
- Medic
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesLou Costello drives through the back wall of a movie theater bearing a poster for a fictional film, "Abbott and Costello in 'Romeo Junior'". Footage of Costello, Bud Abbott and Betty Alexander in Shakespearean costumes was shot to be shown on the theater screen but was not used.
- Citations
Man: What's the boy's name?
Herbie Brown: Pat.
Slicker Smith: Mike.
Herbie Brown: Mike.
Slicker Smith: Pat.
Man: [to Evie, who's dressed up like a boy] What's your name?
Herbie Brown: [leaning in to Evie] Don't you tell him, Evie.
Man: Evie?
Herbie Brown: Evie... E.V., that's her name, Edward Vincent.
Man: HER name?
- ConnexionsFeatured in The World of Abbott and Costello (1965)
It has been many decades since I saw Buck Privates and I did want to see it again as I remembered enjoying it. Unfortunately I could not find it so I went with what I could get, which was this sequel, which sees the boys return to their private lives but with as many troubles and challenges as ever. In terms of plotting we are on pretty thin ground here because the only tangible narrative device is a sickly sweet kid (never an easy proposition) and even that is quite uninteresting. The film just about manages to get by because the various comic situations are mostly pretty funny. There aren't really any classic exchanges or situations but it is consistently amusing for those that like this sort of thing.
Abbott and Costello are doing their usual thing but they are far from going through the motions in the way that they would occasionally do in some other films they made. There are some nice in-jokes and Costello is pretty funny with some of his pratfalls and reactions. The overblown car chase at the end isn't them at their best though mainly because it feels like the writers are just looking for something "big" to end on with the hope that the noise will make viewers overlook the fact that it is neither all that clever or funny. Pendleton is pretty good as a fall guy although I did feel for his character a little bit. Brown is so-so, Shawlee is sidelined to the point of being forgettable and Simmons is so sickly that I suspect extras in her scenes developed diabetes.
All told though I quite enjoyed the film. It doesn't have the classic material or the big laughs that their better films produced but it is still an amusing affair that doesn't have too many problems to it and can be easily enjoyed by fans as well as doing an OK job for the casual viewer.
- bob the moo
- 8 déc. 2009
- Permalien
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Buck Privates Come Home
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 167 500 $US (estimé)
- Durée1 heure 17 minutes
- Couleur
- Rapport de forme
- 1.37 : 1