The Curse of the Wraydons (1946)

Rôles principaux17

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Bruce Seton

Jack Wraydon

Henry Caine

George Wraydon

Pearl Cameron

Rose Wraydon

Andrew Laurence

George Heeningham

Alan Lawrance

Squire Sedgefield

Lorraine Clewes

Helen Sedgefield
(as Loraine Clewes)

Ben Williams

John Rickers

Gabriel Toyne

Lieut. Payne

John Coyle

Dennis
(as John E. Coyle)

Daphne Arthur

Alice Maitland

Barry O'Neill

George Wraydon
(as Barry O'Neil)

The Chief

Frank Hawkins

Roberts
(non crédité)

Réalisation
- Victor M. Gover
Scénario
- Owen George
- Maurice Sandoz
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Anecdotes
Opening credits: The characters and events depicted in this photoplay are fictional. any similarity to actual persons, living or dead, is purely coincidental.

Gaffes
After the scene in which the identity of the old, blind beggar is revealed to the audience the screen fades to black. As the next scene (with Squire Sedgefield sitting writing at his table) commences the sound of galloping horse hooves can be heard and the ghost-like image of a horse and rider can be seen moving across the screen towards the camera seemingly passing through the candelabra on the table. This is not a ghost but a goof. This is an overlap from a second scene of George Heeningham riding to deliver the letter to the Colonel that must have been edited out of the final version of the film. The horse can be heard and seen at around 27 minutes 15 seconds into the film.

Crédits fous
Opening credits prologue: At the opening of the last century this island of ours stood alone facing the menace of Buonaparte's mastery of Europe.

At this vital moment there were a few traitorous Englishmen willing to sell their country for their gain.

EPPING TOWN 1805 The Office of John Ricker... Bow Street Runner.

Connexions
Featured in Princeton Vice Presents: The Curse of the Wraydons (2022)

Avis des utilisateurs11

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1/10

Even Slaughter Cannot Redeem This Film

It would appear that the reviewer from Australia was unaware of Slaughter's reputation for performing in these overheated melodramas,and that he is generally sending up the whole genre.Unfortunately he cannot disguise the sheer awfulness of the whole procedure.The films he made for George King before the war are far superior to his later efforts for Ambassador filmed at the very small studios in Bushey.The main problem is that the film is just so boring it is impossible to hold the attention.Also it has to be said that Slaughter is well past his prime here.It was without the worst of his films and watchable only by those who are devotees of either the genre or of Slaughter himself.