Un pilote de bombardier mort de la Seconde Guerre mondiale, Pete Sandidge, devient l'ange gardien d'un autre pilote, Ted Randall.Un pilote de bombardier mort de la Seconde Guerre mondiale, Pete Sandidge, devient l'ange gardien d'un autre pilote, Ted Randall.Un pilote de bombardier mort de la Seconde Guerre mondiale, Pete Sandidge, devient l'ange gardien d'un autre pilote, Ted Randall.
- Nommé pour 1 Oscar
- 2 nominations au total
Don DeFore
- James J. Rourke
- (as Don De Fore)
Kirk Alyn
- Officer in Heaven
- (non crédité)
Bill Arthur
- Cadet
- (non crédité)
Martin Ashe
- Sergeant in Chinese Restaurant
- (non crédité)
George Atkinson
- Waiter
- (non crédité)
Irving Bacon
- Cpl. Henderson
- (non crédité)
Dora Baker
- Charwoman
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesUn nommé Joe (1943) was reportedly director Steven Spielberg's favorite and remade by him in 1989. Spielberg's film, entitled Always (1989), starred Richard Dreyfuss, Holly Hunter and Brad Johnson in the principal roles, as the same Pete Sandich, Durinda Durston and Al Yackey. The characters of "Ted" and "Nails" were also included. The setting of that film was updated to the present and centered on the activities of forest fire-fighting pilots. Spielberg also included a clip from 'A Guy Named Joe' in his film Poltergeist (1982).
- GaffesLate in the movie Dorinda (Irene Dunne) is wearing the uniform of a Women Airforce Service Pilot (WASP), apparently still ferrying airplanes. However, WASPs never ferried planes to overseas locations, especially combat areas such as New Guinea, which is in the Southwest Pacific. Earlier in the movie she is in England; however, she was wearing a British uniform and women regularly ferried planes there and even encountered combat conditions.
- Citations
The General: No man is really dead unless he breaks faith with the future, and no man is really alive unless he accepts his responsibility to it.
- Crédits fousThe film ends with the following written inscription: "To Families and Friends of Men and Women in Our Armed Forces. The picture you have just seen is being shown in combat areas overseas with the compliments of the American Motion Picture Industry."
- ConnexionsFeatured in MGM Parade: Épisode #1.10 (1955)
- Bandes originalesThe Army Air Corps Song
(uncredited)
Written by Robert Crawford
Played during the opening credits and partially sung by an off-screen male chorus
Played as background music often and at the end
Commentaire à la une
"A Guy Named Joe" is a beautiful, sentimental, tear-jerker of a film starring Spencer Tracy, Irene Dunne, Van Johnson, Lionel Barrymore, Ward Bond, James Gleason, and Dom Defore. Tracy is Pete, a fighter pilot in World War II involved with Dorinda (Dunne), a female flier. Apparently pilots whose "number is up" emit some kind of dead man walking spirit, because Dunne recognizes the signs and wants Pete to return to the states with her and teach fledgling pilots. She's so desperate that he agrees, but he's called for one last mission, and the inevitable happens. Before he knows it, no one can see him or hear him, he's escorted around heaven and earth by Barry Nelson, and assigned to be an angel for a young pilot (Johnson).
For all the warmth of this film, it was fraught with problems behind the scenes. Van Johnson was in a horrid car accident before he finished filming. The actors said they wanted to wait for him rather than see him replaced. That story may or may not be true, as the scar on his forehead is only visible in a couple of scenes; there can't have been much left to film. The second problem was that Spencer Tracy kept coming on to Irene Dunne, which made her furious, and she complained to the front office. She never worked with him again, which is a pity, because they made a charismatic screen couple.
Spencer Tracy is fantastic as a cocky pilot who comes down to earth only when he dies. His scenes as he stands behind Dunne telling her what he should have said to her while alive are very tender. Dunne is excellent as always - strong yet vulnerable, and she gets to sing "I'll Get By" in her lovely soprano. Johnson, in his breakthrough role, is good-looking, boyish, and likable. One of the nicest thing about "A Guy Named Joe" is some of the lighting effects - the silhouette of Dunne as she says goodbye to Pete; the look of his plane in the distance when she first arrives - these really add to the sense of foreboding.
Strangely, when viewed today, "A Guy Named Joe" is a feminist movie in more ways than even it knew. Dunne is a female pilot and proves her mettle in a dangerous mission. But more than that, consider the fact that she becomes involved with Johnson in the film and was 18 years his senior! She was 45 when this movie was released, and Johnson was 29. The age difference is obvious. Good for her - playing a lead at that age while employed by Louis B, no less, and having a younger love interest! Mayer is the man who booted out Joan Crawford and didn't make any noise when Garbo and Shearer left.
If your eyes aren't moist at the end of "A Guy Named Joe," it'll be surprising. Much loved by Steven Spielberg (who remade it), and a lot of other people, it still touches the heart today and reinforced to wartime audiences that the spirit of their deceased ones continues on, with love the tie that binds.
For all the warmth of this film, it was fraught with problems behind the scenes. Van Johnson was in a horrid car accident before he finished filming. The actors said they wanted to wait for him rather than see him replaced. That story may or may not be true, as the scar on his forehead is only visible in a couple of scenes; there can't have been much left to film. The second problem was that Spencer Tracy kept coming on to Irene Dunne, which made her furious, and she complained to the front office. She never worked with him again, which is a pity, because they made a charismatic screen couple.
Spencer Tracy is fantastic as a cocky pilot who comes down to earth only when he dies. His scenes as he stands behind Dunne telling her what he should have said to her while alive are very tender. Dunne is excellent as always - strong yet vulnerable, and she gets to sing "I'll Get By" in her lovely soprano. Johnson, in his breakthrough role, is good-looking, boyish, and likable. One of the nicest thing about "A Guy Named Joe" is some of the lighting effects - the silhouette of Dunne as she says goodbye to Pete; the look of his plane in the distance when she first arrives - these really add to the sense of foreboding.
Strangely, when viewed today, "A Guy Named Joe" is a feminist movie in more ways than even it knew. Dunne is a female pilot and proves her mettle in a dangerous mission. But more than that, consider the fact that she becomes involved with Johnson in the film and was 18 years his senior! She was 45 when this movie was released, and Johnson was 29. The age difference is obvious. Good for her - playing a lead at that age while employed by Louis B, no less, and having a younger love interest! Mayer is the man who booted out Joan Crawford and didn't make any noise when Garbo and Shearer left.
If your eyes aren't moist at the end of "A Guy Named Joe," it'll be surprising. Much loved by Steven Spielberg (who remade it), and a lot of other people, it still touches the heart today and reinforced to wartime audiences that the spirit of their deceased ones continues on, with love the tie that binds.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- A Guy Named Joe
- Lieux de tournage
- Columbia Army Air Base, Columbia, Caroline du Sud, États-Unis(air scenes, backdrops and process shots)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 627 000 $US (estimé)
- Durée2 heures
- Couleur
- Rapport de forme
- 1.37 : 1
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