Ajouter une intrigue dans votre langueIn German-occupied Paris, a Frenchwoman tries to help smuggle a downed RAF pilot into Portugal despite strict surveillance by suspicious Gestapo officers.In German-occupied Paris, a Frenchwoman tries to help smuggle a downed RAF pilot into Portugal despite strict surveillance by suspicious Gestapo officers.In German-occupied Paris, a Frenchwoman tries to help smuggle a downed RAF pilot into Portugal despite strict surveillance by suspicious Gestapo officers.
- Anton Stregel
- (as Howard da Silva)
- Captain
- (as Ernest Dorian)
Histoire
Le saviez-vous
- AnecdotesIn an appearance on The Merv Griffin Show (1962) on March 7, 1963, Joan Crawford was asked about working with John Wayne. She said, "...I'd wanted to work with him for so long, and Merv, when we really worked together it was the lousiest script I have ever seen or read in my life. I think he will verify that."
- Citations
Michelle 'Mike' de la Becque: This is very pretty.
Martin: There's an exceptional view of the city.
Michelle 'Mike' de la Becque: I've seen Paris before.
Martin: Not this Paris, mademoiselle.
[Walking towards the door]
Martin: The bedroom suite is this way.
Michelle 'Mike' de la Becque: Wait. Martin, you've known me for a long time.
Martin: When you were very little, you wanted to marry me so that you could always have chocolate pudding.
Michelle 'Mike' de la Becque: At my first ball, it was you who fastened my dress when it came undone.
Martin: Such memories belong to another lifetime, mademoiselle. One which has come to an end. And which, unfortunately, some of us have outlived.
Michelle 'Mike' de la Becque: But why have our lifetimes come to an end, our private little worlds?
- ConnexionsFeatured in The John Wayne Anthology (1991)
- Bandes originalesLa Marseillaise
(uncredited)
Composed by Claude Joseph Rouget de Lisle
[Variations played in the score throughout]
When she arrives back in Paris because she's away in the country when the surrender happens, she finds that the Germans have taken over her house to use as office space, but they've permitted her to occupy one room on the ground level with its own entrance to the street.
That's a minor inconvenience compared to when she learns that her fiancé is collaborating with the Nazis.
Around that time a young flier with the RAF Eagle Squadron, John Wayne, accosts her in the street and gets her to take him in. He's escaped from Nazi custody and looking to get back to Great Britain.
This is a minor film in the credits of both John Wayne and Joan Crawford in there one and only film together. Crawford was being slowly eased out at MGM and she knew it. Still she was a professional if nothing else and gives the role her best. The part called for her to look chic and those Adrian gowns were in play again.
John Wayne doesn't even get into the film until almost 40 minutes into the story. When he does get in, even though he makes a play for Crawford, the Duke has some real problems as Crawford in order to help him has to play up to Dorn and his Nazi friends. It's not the John Wayne we're used to because it really isn't his film.
There's been some criticism by other reviewers that Crawford doesn't sound French. Then again neither does anyone else in the film. The rest of the cast. The cast in fact has a variety of European and American accents, Frenchmen weren't in good supply at that point in Hollywood, either that or they were otherwise committed. Surely Crawford was no more French sounding than Humphrey Bogart in Passage to Marseille.
Albert Basserman is the commanding general in Paris and the fellow who Dorn cultivates. John Carradine may be the best one in the film as the Gestapo agent who knows there's something fishy with Crawford, but can't quite prove it.
Both the Duke and Joan Crawford had better days ahead of them. Still the film is a curiosity and worth a look.
- bkoganbing
- 18 janv. 2007
- Permalien
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Détails
Box-office
- Budget
- 1 054 000 $US (estimé)
- Durée1 heure 44 minutes
- Couleur
- Rapport de forme
- 1.37 : 1