NOTE IMDb
6,4/10
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MA NOTE
Ajouter une intrigue dans votre langueTom Lawrence, Gay's brother, takes over for his injured sibling in a case which involves Nazi espionage and political assassination.Tom Lawrence, Gay's brother, takes over for his injured sibling in a case which involves Nazi espionage and political assassination.Tom Lawrence, Gay's brother, takes over for his injured sibling in a case which involves Nazi espionage and political assassination.
George J. Lewis
- Valdez
- (as George Lewis)
John Albright
- Ship Passenger
- (non crédité)
Kay Aldridge
- Victory Gown Model
- (non crédité)
- …
Charles Arnt
- Pat Moffett
- (non crédité)
Brooks Benedict
- Fashion Show Attendee
- (non crédité)
Ralph Brooks
- Arlette's Attendant
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesOriginally intended to be the last of the "Falcon" movies, as George Sanders wanted out of the series.
- GaffesNobody seems to be the least bit concerned about getting their own fingerprints all over the murder weapon.
- Citations
Maître d: But, Miss: ladies without escorts are not admitted to the Rose Room.
Marcia Brooks: Who said I was a lady?
- ConnexionsFollowed by Le Faucon pris au piège (1943)
Commentaire à la une
The Falcon, Gay Lawrence (George Sanders), is headed dockside to meet his brother, Tom Lawrence (Tom Conway), who is arriving from South America. What he doesn't know is that before the ship docks, his brother has been declared dead. The cause of death - suicide. Knowing that something's up, The Falcon follows the woman who found his brother's body to an upscale dress shop. But before he can question the woman, she's also killed. After Gay is put out of commission by a hit-and-run, Tom steps out of the shadows to take over the case.
The transition from Gay to Tom is handled as smoothly and deftly as any transition I can think of. It helps that George Sanders and Tom Lawrence were real life brothers. Because of their familial similarities, it's easy to believe that Gay and Tom are also brothers. While I think I prefer George in the role, Tom more than holds his own and is about as enjoyable in this film and the Falcon films to follow.
The plot in The Falcon's Brother is about as good as any you'll find in a "B" from RKO. The mystery is a fun one with plenty of suspicious characters and interesting clues. In fact, the magazine clues were as solid as any I've seen in any film of this type. It's quite enjoyable to watch Tom and Company go through their paces and put the pieces together. I also got a kick out of the dress designer talking about how the gowns were made in compliance with government regulations concerning the amount of material that could be used given the war time era the film was made. It's just a small thing, but it was an interesting insight into 1942. My biggest complaint is the way the finale feels rushed. It seems that a lot of these comedy/mystery films did a good job of leading you right up to the end and then blew it.
Sanders and Conway are joined by an especially strong cast given the film's limited budget. Jane Randolph is a standout. I'm glad to see she comes back in the next film. And I thought Keye Luke was very funny as The Falcon's butler, Jerry. The bits where he purposefully plays up the Asian stereotypes of the era to his advantage are quite good.
6/10
The transition from Gay to Tom is handled as smoothly and deftly as any transition I can think of. It helps that George Sanders and Tom Lawrence were real life brothers. Because of their familial similarities, it's easy to believe that Gay and Tom are also brothers. While I think I prefer George in the role, Tom more than holds his own and is about as enjoyable in this film and the Falcon films to follow.
The plot in The Falcon's Brother is about as good as any you'll find in a "B" from RKO. The mystery is a fun one with plenty of suspicious characters and interesting clues. In fact, the magazine clues were as solid as any I've seen in any film of this type. It's quite enjoyable to watch Tom and Company go through their paces and put the pieces together. I also got a kick out of the dress designer talking about how the gowns were made in compliance with government regulations concerning the amount of material that could be used given the war time era the film was made. It's just a small thing, but it was an interesting insight into 1942. My biggest complaint is the way the finale feels rushed. It seems that a lot of these comedy/mystery films did a good job of leading you right up to the end and then blew it.
Sanders and Conway are joined by an especially strong cast given the film's limited budget. Jane Randolph is a standout. I'm glad to see she comes back in the next film. And I thought Keye Luke was very funny as The Falcon's butler, Jerry. The bits where he purposefully plays up the Asian stereotypes of the era to his advantage are quite good.
6/10
- bensonmum2
- 11 mai 2020
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Falcon's Brother
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 3 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was La Relève du Faucon (1942) officially released in India in English?
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