NOTE IMDb
7,2/10
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MA NOTE
Une femme maître-chanteur défigurée par une cicatrice fait la connaissance d'un chirurgien esthétique qui lui offre la possibilité d'avoir un visage normal.Une femme maître-chanteur défigurée par une cicatrice fait la connaissance d'un chirurgien esthétique qui lui offre la possibilité d'avoir un visage normal.Une femme maître-chanteur défigurée par une cicatrice fait la connaissance d'un chirurgien esthétique qui lui offre la possibilité d'avoir un visage normal.
Histoire
Le saviez-vous
- AnecdotesDirector George Cukor wanted Anna's recital of her life story to be done in a tired, mechanical fashion, so he had Joan Crawford repeat the multiplication tables over and over until he got the monotonous tone he was looking for. Then, he rolled the cameras.
- GaffesWhen Anna visits Barring, he pours himself a drink and places it on the table without drinking it. On the following cut after speaking with Anna, he again picks up the bottle and pours himself a drink.
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA Srl: "VOLTO DI DONNA (1941) + DONNE (1939) + Le cargo maudit (1940)" (3 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in You Can't Fool a Camera (1941)
Commentaire à la une
Joan Crawford has one of her more complex roles and plays it brilliantly in 'A Woman's Face'. It ranks with her work in 'Mildred Pierce' and 'Possessed'. Matching her is Conrad Veidt, always the suave villain (who also specialized in playing Nazi types). Crawford excels as a scarred woman who undergoes plastic surgery to change her life. The situations become more melodramatic as the plot gets thicker and there are a few too many flashbacks--but overall, the effect is a stunning film that makes you think about how one's appearance shapes one's life--for better or worse.
Certain sequences have a stark, no holds barred manner of storytelling, grim and suspenseful--as when Anna Holm considers pushing a child to his death from a cable car. The wintry landscapes and glittering interiors are all handsomely photographed. Melvyn Douglas doesn't register too strongly at all. It's strictly Crawford's picture with some superb help from Conrad Veidt.
The pace is rather leisurely under George Cukor's direction but quickens midway to a smashing climax. By all means, see it. A strong melodrama with some unexpected twists.
Certain sequences have a stark, no holds barred manner of storytelling, grim and suspenseful--as when Anna Holm considers pushing a child to his death from a cable car. The wintry landscapes and glittering interiors are all handsomely photographed. Melvyn Douglas doesn't register too strongly at all. It's strictly Crawford's picture with some superb help from Conrad Veidt.
The pace is rather leisurely under George Cukor's direction but quickens midway to a smashing climax. By all means, see it. A strong melodrama with some unexpected twists.
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- How long is A Woman's Face?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 343 000 $US (estimé)
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Il était une fois (1941) officially released in India in English?
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