Ajouter une intrigue dans votre langueWorld War I brings tribulations to an American woman married to a German.World War I brings tribulations to an American woman married to a German.World War I brings tribulations to an American woman married to a German.
Ronnie Cosby
- Teddy 'Sonny' Wilbrandt
- (as Ronnie Crosby)
Elizabeth Patterson
- Clara Tuttle--Canteen Worker
- (générique uniquement)
Ethel Wales
- Miss Honeywell--Canteen Worker
- (générique uniquement)
Donald Meek
- Storekeeper
- (scènes coupées)
Wallis Clark
- Enoch Sewell
- (non crédité)
George Cooper
- Lefty--Soldier
- (non crédité)
Claire Du Brey
- Party Guest
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAn early example in a long line of films where the character played by Ralph Bellamy is the second romantic lead and loses or doesn't get the girl.
- Citations
Sam Archer: No foolin', Sis, after all these years in Germany, ol' Jeff may come home turned into a wienerwurst.
Mary Archer aka Mary Wilbrandt: Will you get out.
Sam Archer: Well, you wouldn't want to marry a bologna, would ya? Ach, nein! Ach, ten, for that matter.
- Bandes originalesDu, Du Liegst Mir im Herzen
(uncredited)
Traditional German folksong
Played during the opening credits and often as background music
Played on piano and sung by Otto Kruger
Words reprised often
Commentaire à la une
This exceptional film could be described as a sentimental melodrama. I'd describe it however as one of the most moving and emotional tragic romances of the 1930s. It's beautifully made, intelligently written and not just a picture for granny to watch on a Sunday afternoon (although she'd love it too)
An American lass falls for a German lad just before The Great War - you know it's not going to turn out well but you'll never imagine that you'll be so transfixed, so absorbed by this superbly crafted story. Themes of prejudice, snobbery and racism are dealt with in a remarkably modern and mature way which are all of course exaggerated by the onset of the war. It is however a 1930s Warner movie so although it's done a lot more subtly than was common back then, it does have its slap you in the face and punch you in the stomach moments.
What silly people we were back then to be brainwashed by the media into hating a race of people just because they were different. Glad we've changed!!!
When Archie Mayo put his mind to it, he really could make masterpieces. THE PETRIFIED FOREST is one example and this is another. In the cold light of day, the story is really quite corny and far-fetched but as you watch it, his skill as a filmmaker puts you there, this is happening, these are real believable people. Some of the emotion might be laid on with a trowel but so was ROMEO AND JULIET! This heartbreaking, emotional rollercoaster of clichés is helped along by having some of the most naturalistic and powerful acting of the era. Barbara Stanwyck has never been better.
There's no doubt whatsoever in your mind that Barbara Stanwyck really does fall in love with Hugo - I've never seen anything so realistic in my life. It's her eyes! I can only imagine the effect they'd have on you on the big screen as intended - I think the audiences would melt - quite breathtaking! She's not playing the tough rough diamond, the sexy seductress or the scheming manipulator - she's playing someone you care about, someone you could love. Her acting is absolutely outstanding. The fact that you believe, or rather know that she and Hugo are in love makes the rest of the story all the more poignant.
An American lass falls for a German lad just before The Great War - you know it's not going to turn out well but you'll never imagine that you'll be so transfixed, so absorbed by this superbly crafted story. Themes of prejudice, snobbery and racism are dealt with in a remarkably modern and mature way which are all of course exaggerated by the onset of the war. It is however a 1930s Warner movie so although it's done a lot more subtly than was common back then, it does have its slap you in the face and punch you in the stomach moments.
What silly people we were back then to be brainwashed by the media into hating a race of people just because they were different. Glad we've changed!!!
When Archie Mayo put his mind to it, he really could make masterpieces. THE PETRIFIED FOREST is one example and this is another. In the cold light of day, the story is really quite corny and far-fetched but as you watch it, his skill as a filmmaker puts you there, this is happening, these are real believable people. Some of the emotion might be laid on with a trowel but so was ROMEO AND JULIET! This heartbreaking, emotional rollercoaster of clichés is helped along by having some of the most naturalistic and powerful acting of the era. Barbara Stanwyck has never been better.
There's no doubt whatsoever in your mind that Barbara Stanwyck really does fall in love with Hugo - I've never seen anything so realistic in my life. It's her eyes! I can only imagine the effect they'd have on you on the big screen as intended - I think the audiences would melt - quite breathtaking! She's not playing the tough rough diamond, the sexy seductress or the scheming manipulator - she's playing someone you care about, someone you could love. Her acting is absolutely outstanding. The fact that you believe, or rather know that she and Hugo are in love makes the rest of the story all the more poignant.
- 1930s_Time_Machine
- 18 nov. 2024
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Ever in My Heart
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 243 000 $US (estimé)
- Durée1 heure 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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Lacune principale
By what name was Toujours dans mon coeur (1933) officially released in India in English?
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