Un gentleman-cambrioleur et une pickpocket joignent leurs forces pour arnaquer la séduisante propriétaire d'une société de parfum. Un imbroglio amoureux et la jalousie compliquent leur plan.Un gentleman-cambrioleur et une pickpocket joignent leurs forces pour arnaquer la séduisante propriétaire d'une société de parfum. Un imbroglio amoureux et la jalousie compliquent leur plan.Un gentleman-cambrioleur et une pickpocket joignent leurs forces pour arnaquer la séduisante propriétaire d'une société de parfum. Un imbroglio amoureux et la jalousie compliquent leur plan.
- Récompenses
- 2 victoires au total
- The Major
- (as Charlie Ruggles)
- Annoyed Opera Fan
- (non crédité)
- Insurance Agent
- (non crédité)
- Commercial Singer
- (non crédité)
- Maid
- (non crédité)
- Woman with Wrong Handbag
- (non crédité)
- Venetian
- (non crédité)
- Waiter in Venice
- (non crédité)
- Radio Commentator
- (non crédité)
- Russian Visitor
- (non crédité)
- Elderly Servant
- (non crédité)
- Party Guest
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe scenes in which Herbert Marshall is running up and down the stairs at Madame Colet's were done with a double who is only seen from the rear. Mr. Marshall lost a leg in WWI and although it was almost impossible to notice that he used a prosthesis, he could not perform any action that called for physical agility.
- Gaffes(at around 10 mins) A very clear shadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston).
- Citations
Gaston Monescu: Madame Colet, if I were your father, which fortunately I am not, and you made any attempt to handle your own business affairs, I would give you a good spanking - in a business way, of course.
Mariette Colet: What would you do if you were my secretary?
Gaston Monescu: The same thing.
Mariette Colet: You're hired.
- Crédits fousIn the opening credits, the words 'Trouble in' appear and then a bed before the word 'paradise', subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935.
- ConnexionsFeatured in Paramount Presents (1974)
- Bandes originalesTrouble in Paradise
Music by W. Franke Harling
Lyrics by Leo Robin
Sung by Donald Novis (uncredited)
[Played during opening title card and credits]
Trouble in Paradise is a comedy counterpart to a melodrama; it is a romantic melo-comedy. It is unlike any other Lubitsch film with which I am familiar. In fact, it is difficult for me to think of any film with which to compare this masterpiece. The cast is outstanding, each delivering dialog in mock melodramatic style. The soundtrack, the editing, and especially the sublime writing all combine to produce a unique, satirical melodrama parody. Perhaps this film was the model for many later films that hoped to attain the same comic irony, but seem humorless to me. The key seems to be that the actors do not take themselves seriously, but they portray characters who do.
Everything about this film is fabulous. I cannot fathom how anybody could suggest this film is outdated in any manner because it captures the ambiance of an era so perfectly. The era is past, but not this film! Do period films made today seem outdated to them? I do not need to heap redundant praise on a film that other commentators have described so well. So that you know where I'm coming from - I admit to being a HUGE Lubitsch fan. The Shop Around the Corner and Ninotchka are also among my very favorite films.
Meilleurs choix
- How long is Trouble in Paradise?Alimenté par Alexa
Détails
Box-office
- Budget
- 519 706 $US (estimé)
- Montant brut mondial
- 345 $US
- Durée1 heure 23 minutes
- Couleur
- Rapport de forme
- 1.37 : 1