Ajouter une intrigue dans votre langueAn entrepreneur will let nothing stand in his way of acquiring a 100-story office building.An entrepreneur will let nothing stand in his way of acquiring a 100-story office building.An entrepreneur will let nothing stand in his way of acquiring a 100-story office building.
Richard Alexander
- Man Tom Bumps Into
- (non crédité)
Oscar Apfel
- Brewster's Associate
- (non crédité)
Frank Atkinson
- Waiter At Party
- (non crédité)
Reginald Barlow
- Brewster's Associate
- (non crédité)
Harry C. Bradley
- Johnson, Dwight's Secretary
- (non crédité)
Edward Brophy
- Man in Elevator
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesBoris Karloff: (at around 20 mins) Approaching a ticket counter as Tom (Norman Foster) takes his leave. During filming of Le Masque d'or (1932), Boris Karloff took time off to appear in this film; the camera immediately cuts away once the actor appears, so the purpose behind his cameo seems to have been deleted.
- GaffesWhen Lynn is working late, as she leaves Tom to bring the unfinished report to Mr. Dwight, the moving shadow of the boom mic is visible on the wall by the door.
- Citations
David 'Dave' Dwight: Hello, Ham old egg! How are ya?
'Ham' Hamilton: [as they shake hands] Fine.
David 'Dave' Dwight: How's your wife?
'Ham' Hamilton: Splendid. She's in Egypt, digging up ruins.
David 'Dave' Dwight: Oh, she seems to like ruins,
[looks down at Hamilton's feet]
David 'Dave' Dwight: especially with spats on.
- ConnexionsFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
Commentaire à la une
This Depression-era melodrama from MGM in the '30s contains several strong performances and interesting plot elements that place it among the better "big business" stories that Hollywood loves to make about ethics and morality. It's a forerunner of other such films, such as "Executive Suite" but has even more bite despite some of the dated elements of the story.
WARREN WILLIAM is convincing as the owner of the world's tallest building who will stoop to anything to keep control of his luxurious hi-rise, which includes a swanky bachelor pad for his affair with his personal assistant (VERREE TEASDALE).
A subplot involves the affair between MAUREEN O'SULLIVAN and a man in hot pursuit (NORMAN FOSTER), a bank teller who has trouble keeping her to himself once she is noticed by the wealthy William. It's one of O'Sullivan's best early roles (before she became Tarzan's Jane), and she does extremely well in it except for the way she jabs away at the keyboard as an office typist, which is almost laughable.
Several strands of plot are smoothly entwined and lead toward a very melodramatic ending involving Warren William and his mistress. HEDDA HOPPER pops in once in awhile as William's wife who is always looking for a handout so she can keep a villa in Italy.
After a shocking conclusion, there's a bittersweet ending for O'Sullivan and Foster. His extroverted character is a bit annoying at times but he certainly is a lively presence during the proceedings.
This is an undiscovered gem worth seeking out if you're a fan of stories about big business. It's a sort of "Grand Hotel" in its own way.
WARREN WILLIAM is convincing as the owner of the world's tallest building who will stoop to anything to keep control of his luxurious hi-rise, which includes a swanky bachelor pad for his affair with his personal assistant (VERREE TEASDALE).
A subplot involves the affair between MAUREEN O'SULLIVAN and a man in hot pursuit (NORMAN FOSTER), a bank teller who has trouble keeping her to himself once she is noticed by the wealthy William. It's one of O'Sullivan's best early roles (before she became Tarzan's Jane), and she does extremely well in it except for the way she jabs away at the keyboard as an office typist, which is almost laughable.
Several strands of plot are smoothly entwined and lead toward a very melodramatic ending involving Warren William and his mistress. HEDDA HOPPER pops in once in awhile as William's wife who is always looking for a handout so she can keep a villa in Italy.
After a shocking conclusion, there's a bittersweet ending for O'Sullivan and Foster. His extroverted character is a bit annoying at times but he certainly is a lively presence during the proceedings.
This is an undiscovered gem worth seeking out if you're a fan of stories about big business. It's a sort of "Grand Hotel" in its own way.
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Détails
Box-office
- Budget
- 382 000 $US (estimé)
- Durée1 heure 39 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Skyscraper Souls (1932) officially released in India in English?
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