NOTE IMDb
7,5/10
1,6 k
MA NOTE
Un soldat français se rend en Allemagne pour retrouver la famille d'un homme qu'il a tué pendant la Première Guerre mondiale.Un soldat français se rend en Allemagne pour retrouver la famille d'un homme qu'il a tué pendant la Première Guerre mondiale.Un soldat français se rend en Allemagne pour retrouver la famille d'un homme qu'il a tué pendant la Première Guerre mondiale.
- Récompenses
- 1 nomination au total
Rod McLennan
- War Veteran
- (as Rodney McLennon)
George Davis
- Concierge
- (non crédité)
Robert Dudley
- Townsman
- (non crédité)
Lillian Elliott
- Frau Bresslauer
- (non crédité)
Henry Fifer
- Townsman
- (non crédité)
Julia Swayne Gordon
- Townswoman
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe family name of the German family whose son was killed is Holderlin, the name of the greatest Romantic idealist poet of Germany.
- ConnexionsRemade as Frantz (2016)
Commentaire à la une
'The Man I Killed', or 'Broken Lullaby' to others, appealed to me right away. There are many great war films out there (though admittedly do prefer slightly other types of films) and its message is an admirable one. It is notable for being an atypical effort for the great Ernst Lubitsch, instead of comedy, romantic comedy and musicals, 'The Man I Killed' is perhaps his most serious film. Seeing Lionel Barrymore in one of his more dramatic roles was interesting too.
While there was no doubt in my mind that it would be good at least, 'The Man I Killed' was more than good. It was very, very good and so close to being great. It was great to see a change of pace from Lubitsch, and just as much to see excel so well at it. Not everybody succeeds when they do something different to usual, some have even failed, but Lubitsch does succeed wonderfully. He never directed a more moving or more emotionally powerful film and in its own right there is so much to recommend.
Am going to get the very few not so good things out of the way. It is a little over-sentimental in places, though there is a big emphasis on in places and on a little.
Despite some excellent moments that do bring a lump to the throat, Phillips Holmes at times overacts and it is at odds with the more subtle acting of everybody else.
Lubitsch however directs impeccably, he directs with a darker touch but it didn't to me get too dark or too heavy generally. Of the performances, which are near uniformly good, Barrymore is particularly magnificent. One of his most subtle performances and one of his most poignant and intense too, especially in one of the most powerful speeches of any film seen recently. ZaSu Pitts is also excellent. The production values have both grit and elegance, with some beautifully crafted and clever shots at the start especially.
Some very effective use of sound too, like with agreed the marching feet which was quite unsettling. The script is literate without being talky and the message is delivered with force and sincerity without being laid on too thick. The story is harrowing and poignant, as well as sensitively handled. If the sentiment was a little less, the storytelling would have been perfect.
In conclusion, very, very good and nearly great with almost everything being outstanding. 8/10
While there was no doubt in my mind that it would be good at least, 'The Man I Killed' was more than good. It was very, very good and so close to being great. It was great to see a change of pace from Lubitsch, and just as much to see excel so well at it. Not everybody succeeds when they do something different to usual, some have even failed, but Lubitsch does succeed wonderfully. He never directed a more moving or more emotionally powerful film and in its own right there is so much to recommend.
Am going to get the very few not so good things out of the way. It is a little over-sentimental in places, though there is a big emphasis on in places and on a little.
Despite some excellent moments that do bring a lump to the throat, Phillips Holmes at times overacts and it is at odds with the more subtle acting of everybody else.
Lubitsch however directs impeccably, he directs with a darker touch but it didn't to me get too dark or too heavy generally. Of the performances, which are near uniformly good, Barrymore is particularly magnificent. One of his most subtle performances and one of his most poignant and intense too, especially in one of the most powerful speeches of any film seen recently. ZaSu Pitts is also excellent. The production values have both grit and elegance, with some beautifully crafted and clever shots at the start especially.
Some very effective use of sound too, like with agreed the marching feet which was quite unsettling. The script is literate without being talky and the message is delivered with force and sincerity without being laid on too thick. The story is harrowing and poignant, as well as sensitively handled. If the sentiment was a little less, the storytelling would have been perfect.
In conclusion, very, very good and nearly great with almost everything being outstanding. 8/10
- TheLittleSongbird
- 22 avr. 2020
- Permalien
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- How long is Broken Lullaby?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Broken Lullaby
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 889 154 $US (estimé)
- Durée1 heure 16 minutes
- Couleur
- Rapport de forme
- 1.20 : 1
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By what name was L'homme que j'ai tué (1932) officially released in India in English?
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