Ajouter une intrigue dans votre langueA man, Hilary Fairfield returns home after fifteen years in a mental asylum. However, he finds things are not the way they were when he left.A man, Hilary Fairfield returns home after fifteen years in a mental asylum. However, he finds things are not the way they were when he left.A man, Hilary Fairfield returns home after fifteen years in a mental asylum. However, he finds things are not the way they were when he left.
- Récompenses
- 1 victoire au total
Bramwell Fletcher
- Gareth
- (non crédité)
Dick French
- Party Guest
- (non crédité)
Julie Haydon
- Party Guest
- (non crédité)
Dennis O'Keefe
- Party Guest
- (non crédité)
Mildred Shay
- Party Guest
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesDavid O. Selznick and George Cukor disagreed about casting Katharine Hepburn. Cukor had seen Hepburn's screen test and was impressed by the 24-year-old, but Selznick did not like the way she looked and was afraid she would not be well received by audiences. Cukor cast her anyway (beginning what would be a lifelong professional and personal relationship between the two)
- Gaffes'Katharine Hepburn' is misspelled in the credits as 'Katherine Hepburn'.
- Citations
Hilary Fairfield: Do you know what the dead do in Heaven? They sit on their golden chairs and sicken for home.
- Crédits fousSydney Fairfield is the name of Katharine Hepburn's character in the film, but her name is spelled Sidney in the credits.
- ConnexionsFeatured in David O. Selznick: 'Your New Producer' (1935)
- Bandes originalesSilent Night, Holy Night (1818)
(uncredited)
Music by Franz Xaver Gruber
Lyrics by Joseph Mohr
English lyrics anonymous
Sung by carollers on Christmas Eve
Commentaire à la une
When Hollywood was madly casting the ingénue in "A Bill of Divorcement," they saw many, many tests of actresses but still weren't satisfied. Katharine Hepburn took a look at the test scene and realized immediately why no actress was acceptable - it was a terrible scene. So she did another one and won the role.
Let's just say that Hepburn started her amazing career with amazing good fortune. Her director was the excellent George Cukor, marking the beginning of their marvelous collaboration; and she had the great John Barrymore as a co-star.
The story concerns a man who comes home from an insane asylum only to discover that his daughter has grown up, his wife has divorced him, and she is about to marry someone else. He's as much in love with her as he has always been and can't bear the thought of her leaving him.
Based on a play by Clemence Dane, "A Bill of Divorcement" doesn't hold up today. It's very talky, done in a stagy manner, and melodramatic. Some of the performances are melodramatic as well - it was the beginning of talkies, and many of the actors had not yet adapted to the technique of acting on film, Billie Burke especially. My big quibble with the story is that, due to the times, it can't distinguish between "insanity" and emotional problems or chemical imbalances, which makes the Hepburn character's ultimate sacrifice seem unnecessary.
You can really see in this movie how Katharine Hepburn would have been so unusual to audiences with her angular, athletic body, high cheekbones and austere looks. She once said of Angela Lansbury, "She was unusual in the wrong way, and I was unusual in the right way." It's certainly true. She's quite beautiful and interesting-looking. Ultimately she would tone down her acting. For a first film, she's wonderful.
The star is John Barrymore, who gives a timeless, heart-wrenching performance. What a wonderful actor and what a loss that his last film was made in 1941 and as early as 1938, he was playing his roles drunk.
Recommended definitely for Hepburn aficionados and to see the great John Barrymore being the magnificent actor he was capable of being.
Let's just say that Hepburn started her amazing career with amazing good fortune. Her director was the excellent George Cukor, marking the beginning of their marvelous collaboration; and she had the great John Barrymore as a co-star.
The story concerns a man who comes home from an insane asylum only to discover that his daughter has grown up, his wife has divorced him, and she is about to marry someone else. He's as much in love with her as he has always been and can't bear the thought of her leaving him.
Based on a play by Clemence Dane, "A Bill of Divorcement" doesn't hold up today. It's very talky, done in a stagy manner, and melodramatic. Some of the performances are melodramatic as well - it was the beginning of talkies, and many of the actors had not yet adapted to the technique of acting on film, Billie Burke especially. My big quibble with the story is that, due to the times, it can't distinguish between "insanity" and emotional problems or chemical imbalances, which makes the Hepburn character's ultimate sacrifice seem unnecessary.
You can really see in this movie how Katharine Hepburn would have been so unusual to audiences with her angular, athletic body, high cheekbones and austere looks. She once said of Angela Lansbury, "She was unusual in the wrong way, and I was unusual in the right way." It's certainly true. She's quite beautiful and interesting-looking. Ultimately she would tone down her acting. For a first film, she's wonderful.
The star is John Barrymore, who gives a timeless, heart-wrenching performance. What a wonderful actor and what a loss that his last film was made in 1941 and as early as 1938, he was playing his roles drunk.
Recommended definitely for Hepburn aficionados and to see the great John Barrymore being the magnificent actor he was capable of being.
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- How long is A Bill of Divorcement?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- A Bill of Divorcement
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 300 000 $US (estimé)
- Durée1 heure 10 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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