Ajouter une intrigue dans votre langueEvents take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.Events take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.Events take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.
- Railroad Worker at Lunch Counter
- (non crédité)
- Yardmaster
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- Railroad Worker at Lunch Counter
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- Railroad Worker
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- Railroad Worker
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- Miss Astor - Bill's Landlady
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAlthough the title card bears a 1930 copyright statement, this film was apparently never copyrighted, under either of its two titles. It was completed in mid-1930, and reviewed in Motion Picture Herald 4 October 1930, and in Photoplay Magazine in December 1930, but did not open in New York City until April 1931.
- GaffesWhen Bill and Lily are embracing in the kitchen in front of the stove the moving shadow of the boom microphone is visible on the wall below the window behind them.
- Citations
[behind the lunch counter at the railroad yard, gum-chewing waitress Marie hears a train whistle - her cue to get ready to meet her boyfriend, Bill]
Marie: [taking off her apron] Anything else you guys want?
Railroad worker at Lunch Counter: Yeah, gimme a big slice a' you on toast, and some French-fried potatoes on the side.
Marie: [taking out her compact and powdering her face] Listen, baby, I'm A.P.O.
Railroad worker at Lunch Counter: [to the other railroad worker] What does she mean, A.P.O.?
Marie: Ain't Puttin' Out! Besides, I'm Bill White's girl, and I'm a one-man woman.
Railroad worker at Lunch Counter: That's a hot one, Marie.
Marie: Whattaya mean "that's a hot one"?
Railroad worker at Lunch Counter: Didn't I see you down ta Fishbeck's Dance Hall with Elmer Brown?
Marie: Oh yeah. Elmer's a kind of a cousin of mine.
Railroad worker at Lunch Counter: Oh! Some cousins are sure affectionate.
Marie: Nevertheless, he's my distant cousin.
Railroad worker at Lunch Counter: That's her story, and she's gonna stick to it.
Marie: It's the story Bill's gonna hear unless you guys do some broadcasting of your own.
Railroad worker at Lunch Counter: Well, don't worry. Not me. I ain't gonna get in no trouble.
Marie: [walking toward the door] Then stop shootin' off your big mouth.
Railroad worker at Lunch Counter: Hey Marie. Wouldja gimme a flock a' donuts with small holes?
Marie: [at the door, hand on hip] If there're any small holes around here, I'll eat 'em myself.
[the men laugh as she leaves the diner]
- Bandes originalesWherever You Stray, Wherever You Go
(uncredited)
Composer unknown
Sung a cappella by Grant Withers, J. Farrell MacDonald and Mary Astor
If it's not the plot, the locales, the characters, the old acting style, the old manner of speaking, the manners of the era, the "clean" way of thinking, the gritty realism and authentic feel of location shooting inside or outside or sometimes even the costumes...something always captivates me about the talkies of 30's and late 20's.
There may not be prodigious film-making here but two scenes will remain engraved in my memory:
1- The blind man struggling alone in the rain in the railway yard. One particular close-up was intriguing. There was no intense melodrama here, just a man in turmoil. Wonderfully done.
2- Bill's encounter at the end with an old "friend". As Bill realizes that this old friend may offer him some hope he runs out and boards a moving train. He proceeds to get on the roof to release his romantic glee by running down the entire length of the train from caboose to the engine car. His boyish joy made me smile.
Ah, that bygone era of innocence. With all of the misery that happened then, these were some of the charming highlights that linger on.
We are the richer for the preservation of every film from that era. Each contributes another chapter in the art of film and of the heart of man's growth.
- Enrique-Sanchez-56
- 5 avr. 2001
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Steel Highway
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 11 minutes
- Couleur