Une jeune Américaine se rend à Paris avec son fiancé et son oncle millionnaire. Elle y rencontre un romancier mondain dont elle tombe amoureuse.Une jeune Américaine se rend à Paris avec son fiancé et son oncle millionnaire. Elle y rencontre un romancier mondain dont elle tombe amoureuse.Une jeune Américaine se rend à Paris avec son fiancé et son oncle millionnaire. Elle y rencontre un romancier mondain dont elle tombe amoureuse.
- Undetermined Secondary Role
- (non crédité)
- Louis - Headwaiter
- (non crédité)
- Joe - American Tourist
- (non crédité)
- Spade Henderson
- (non crédité)
- Mr. Bradkin
- (non crédité)
- Hotel Desk Clerk
- (non crédité)
- Mrs. Jowitt
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis was the first of three movies that Powell and Lombard made together. The other two pictures are Ladies' Man (1931) and Mon homme Godfrey (1936). They met on the set and married the same year the movie was released, but would be divorced in 1933.
- GaffesAt the "Paris" horse race, they wanted to show the horses running clockwise (the opposite direction of US horse racing), so they flipped the negative causing all the numbers on the horses to be reversed in the film. They managed to edit the race to not show the numbers clearly, that is until the end of the race. The number 5 is very clearly backwards in the close-up of the finish.
- Citations
Irene Hoffa: Say, I can remember once I had a good-time Charlie. And it was all fixed up for Michael to walk in and ask this guy what he thought he was doing with his wife. Good for 5,000 bucks this guy was too. All right. Mike is supposed to walk in at 4:00, and sharp 7:00 he shows up. You can't imagine what I went through those three hours.
Fred: Yes, I can.
Irene Hoffa: Well, you're wrong.
Lombard (who subsequently married her co-star) plays the young niece of one such victim (Guy Kibbee); this is the earliest of her films that I’ve watched and, frankly, if it weren’t for her voice she’d be unrecognizable from her later zanier output. Here, she’s given a very plain look indistinguishable from many an early 1930s leading lady; in fact, it was only with her performance as a temperamental theatrical star to John Barrymore’s madcap impresario in Howard Hawks’ magnificent screwball comedy TWENTIETH CENTURY (1934) that she acquired her distinctive – and captivating – personality.
Anyway, the film makes for a mildly interesting artifact due to its unusual plot and setting (though obviously shot on the Paramount back-lot); Powell’s is actually a thoughtful characterization – but Lombard is merely decorous (needless to say, I’ve always preferred her in comedy roles as opposed to drama). Also in the cast is Wynne Gibson as The (vindictive and somewhat pathetic) Other Woman, a role that would practically be replicated wholesale in NIGHT AFTER NIGHT (1932) which, coincidentally, is included on Universal’s “Mae West Glamour Collection” set!
All in all, however, director Wallace fared much better in his more sympathetic depiction of another band of crooks years later in the winsome comedy THE YOUNG IN HEART (1938).
- Bunuel1976
- 4 déc. 2007
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Cavalier of the Streets
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 14 minutes
- Couleur