Ajouter une intrigue dans votre langueAn eccentric inventor and his new flying machine are the focus of this musical comedy.An eccentric inventor and his new flying machine are the focus of this musical comedy.An eccentric inventor and his new flying machine are the focus of this musical comedy.
Gus Arnheim and His Orchestra
- Gus ArnHeim's Orchestra
- (as Gus Arnheim and his Orchestra)
Loretta Andrews
- Chorus Girl
- (non crédité)
Mary Ashcraft
- Chorus Girl
- (non crédité)
Edna Callahan
- Chorus Girl
- (non crédité)
Richard Carle
- Hotel Manager
- (non crédité)
Tommy Conlon
- Undetermined Secondary Role
- (non crédité)
Nick Copeland
- Aviator with the Jokester
- (non crédité)
Janet Currie
- Chorus Girl
- (non crédité)
Mary Dees
- Chorus Girl
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThere was considerable pressure from the Hays Office to remove the examination scene from the movie, but MGM held firm, claiming they paid $100,000 for the rights to the play just for that particular scene. Eventually some aspects of that scene was removed when some exhibitors rejected the film. The TCM print contains the scene, but it may be the abbreviated version.
- GaffesTom Kennedy is menacing Bert Lahr because he threw an oil-soaked hat in his face. Pat O'Brien intervenes and punches oil-smudged Tom Kennedy in the stomach. Pat's cheeks are clean. Cut to Tom doubling over. Cut back to Pat with an oil smudge on his right cheek, even though Tom never touched him. Bert enters the shot offering Pat a hammer. Pat says "That's all right." Cut to long shot of Tom retreating and Pat wiping his face. No smudge in next close-up. So it appears there was more to the fight, but it was edited out.
- Crédits fousThe credits appear as printed on the side of a dirigible.
- ConnexionsEdited into La Femme aux cheveux rouges (1932)
- Bandes originalesI'll Make a Happy Landing (the Lucky Day I Land You)
(1931) (uncredited)
Music by Jimmy McHugh
Lyrics by Dorothy Fields
Played during the opening credit and at the end
Sung by Kathryn Crawford and chorus and danced by the chorus in a production number
Played also as background music
Footage later used in Plane Nuts (1933)
Commentaire à la une
For those who only associate Bert Lahr with The Wizard Of Oz this film from MGM gives one a chance to see him repeating his role on Broadway from one of the many shows he starred in. Lahr other than The Wizard Of Oz was far more a success on Broadway than on the big screen.
Flying High ran for 355 performances on Broadway during the 1930-31 season and on Broadway Lahr's co-star was Kate Smith. Lahr's barbs whether they came in the script or were ad-libbed for the performance about fat girls caused some wounding to Kate. It was here she decided that radio would be her best medium of expression.
Rawboned Charlotte Greenwood of the Bruce Lee like kicks in her dancing takes Kate's role and she's looking for a husband and she'd like to settle a dowry on him. Lahr becomes the object of her attentions. And Lahr needs the money in order to help his partner and friend Pat O'Brien promote the aero-copter that Lahr's invented.
DeSylva, Brown and Henderson wrote the Broadway score which was completely chucked for the film with new songs by Jimmy McHugh and Dorothy Fields. I was disappointed not to hear items like Without Love and Thank Your Father on the screen. Nothing memorable came from Fields and McHugh.
Busby Berkeley did the choreography and there is a definite hint as to what would be coming in the way gaudy numbers like in his Warner Brothers period.
Pat O'Brien played Bud Abbott in this film, but Lahr's comedy style was more like Curly Howard than Lou Costello. During the Thirties, O'Brien was a fast talking promoter of something even if it was himself until he slowed down the pace to a crawl when he played a priest. O'Brien was new on the big screen himself after playing Hildy Johnson in The Front Page.
Flying High didn't quite weather the transfer from the Broadway stage to the big screen. Still it's a chance to see a Broadway hit with its original star and that's rare enough for the era this film came out in.
Flying High ran for 355 performances on Broadway during the 1930-31 season and on Broadway Lahr's co-star was Kate Smith. Lahr's barbs whether they came in the script or were ad-libbed for the performance about fat girls caused some wounding to Kate. It was here she decided that radio would be her best medium of expression.
Rawboned Charlotte Greenwood of the Bruce Lee like kicks in her dancing takes Kate's role and she's looking for a husband and she'd like to settle a dowry on him. Lahr becomes the object of her attentions. And Lahr needs the money in order to help his partner and friend Pat O'Brien promote the aero-copter that Lahr's invented.
DeSylva, Brown and Henderson wrote the Broadway score which was completely chucked for the film with new songs by Jimmy McHugh and Dorothy Fields. I was disappointed not to hear items like Without Love and Thank Your Father on the screen. Nothing memorable came from Fields and McHugh.
Busby Berkeley did the choreography and there is a definite hint as to what would be coming in the way gaudy numbers like in his Warner Brothers period.
Pat O'Brien played Bud Abbott in this film, but Lahr's comedy style was more like Curly Howard than Lou Costello. During the Thirties, O'Brien was a fast talking promoter of something even if it was himself until he slowed down the pace to a crawl when he played a priest. O'Brien was new on the big screen himself after playing Hildy Johnson in The Front Page.
Flying High didn't quite weather the transfer from the Broadway stage to the big screen. Still it's a chance to see a Broadway hit with its original star and that's rare enough for the era this film came out in.
- bkoganbing
- 4 juin 2011
- Permalien
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Détails
Box-office
- Budget
- 634 000 $US (estimé)
- Durée1 heure 20 minutes
- Couleur
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By what name was Flying High (1931) officially released in Canada in English?
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