Ajouter une intrigue dans votre langueTurner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.Turner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.Turner, unjustly imprisoned, rejoins former inmates to con elderly men into marriage proposals. Initially seeking vengeance, she ultimately finds redemption and a new path.
Douglass Montgomery
- Bob Gilder
- (as Kent Douglass)
Purnell Pratt
- Edward Gilder
- (as Purnell B. Pratt)
Robert Emmett O'Connor
- Police Sergeant Cassidy
- (as Robert Emmet O'Connor)
Tyrell Davis
- Eddie Griggs
- (as Tyrrell Davis)
Isabel Withers
- Helen Morris
- (scènes coupées)
Louise Beavers
- Black Convict
- (non crédité)
Edward Brophy
- Burglar
- (non crédité)
Payne B. Johnson
- Baby
- (non crédité)
Fred Kelsey
- Night Policeman
- (non crédité)
Wilbur Mack
- Mr. Irwin
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThis film was considered to be Joan Crawford's breakthrough role after years of playing empty-headed flappers in a series of profitable films. It was a coup for her as the original star, Norma Shearer, for whom the female lead had been commissioned had to decline the film due to pregnancy. Shearer was married to the studio brass, Irving Thalberg. "How can I compete with her," Crawford complained, "when she sleeps with the boss?"
The story was a perfect dramatic vehicle, allowing the leading lady to make the transition from wide-eyed innocent to hardened ex-convict to mature woman in love. With her other hits in 1930, Crawford now ranked as the nation's top box-office star. Studio head Louis B. Mayer was so happy he gave her a $10,000 bonus.
- GaffesAs Mary is led out of the courtroom, a moving shadow of the boom microphone is visible on the wall to the left of the door.
- Citations
Mary Turner: Gee, you're white, Joe.
Joe Garson: Save the flowers for my funeral.
- ConnexionsEdited into La belle et la loi (1939)
Commentaire à la une
"Paid" is the story of Mary Turner (Joan Crawford), who spent three years in the pen for stealing from her boss (Gilder's Department Store)--a crime which she didn't commit. She vows revenge as she's dragged away. We see the sentencing phase of her trial with an inept defense lawyer and a vicious, contemptuous DA who keeps interrupting her. Indeed, one recurring theme of this film is its criticism of the justice system--the DA and the cops care only about pleasing the rich by harassing the poor.
According to Vieira, Sin in Soft Focus: Pre-Code Hollywood p. 19 (1999), Crawford got the role when Norma Shearer went on maternity leave. Vieira also says that a five-minute fight scene in the women's shower in prison was cut from the film by the studio. There are stills of Crawford and the fight scene at pp. 24-25.
Mary learns some law while in the joint and she and her prison friend Aggie find some clever ways to make money and frustrate the cops by staying just "within the law" (the title of the play from which the film is drawn as well as the 1939 remake). Mary hangs out with Aggie's gang of petty criminals led by Joe Garson. Joe is, in fact, a kind and decent person who just can't say no to the big payoff. Meanwhile, Mary seduces and marries Gilder's son--just to take revenge on the man who falsely accused her of stealing.
While the final portions of "Paid" get rather contrived (there's a major heist which goes badly wrong) and the ending is melodramatic, I think "Paid" was pretty good and Crawford was excellent. The low ratings assigned by IMDb users to this film are not justified. The film is involving and it has some important things to say about class and justice.
According to Vieira, Sin in Soft Focus: Pre-Code Hollywood p. 19 (1999), Crawford got the role when Norma Shearer went on maternity leave. Vieira also says that a five-minute fight scene in the women's shower in prison was cut from the film by the studio. There are stills of Crawford and the fight scene at pp. 24-25.
Mary learns some law while in the joint and she and her prison friend Aggie find some clever ways to make money and frustrate the cops by staying just "within the law" (the title of the play from which the film is drawn as well as the 1939 remake). Mary hangs out with Aggie's gang of petty criminals led by Joe Garson. Joe is, in fact, a kind and decent person who just can't say no to the big payoff. Meanwhile, Mary seduces and marries Gilder's son--just to take revenge on the man who falsely accused her of stealing.
While the final portions of "Paid" get rather contrived (there's a major heist which goes badly wrong) and the ending is melodramatic, I think "Paid" was pretty good and Crawford was excellent. The low ratings assigned by IMDb users to this film are not justified. The film is involving and it has some important things to say about class and justice.
- Michael-110
- 11 janv. 2000
- Permalien
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Détails
Box-office
- Budget
- 355 000 $US (estimé)
- Durée1 heure 26 minutes
- Couleur
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By what name was Il faut payer (1930) officially released in India in English?
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