Ajouter une intrigue dans votre langueMickey rescues cantina singer Minnie from the unwanted advances of Pegleg Pete.Mickey rescues cantina singer Minnie from the unwanted advances of Pegleg Pete.Mickey rescues cantina singer Minnie from the unwanted advances of Pegleg Pete.
- Réalisation
- Casting principal
Photos
Walt Disney
- Mickey Mouse
- (voix)
- (non crédité)
- …
Histoire
Le saviez-vous
- AnecdotesMarcellite Garner was working in the ink and paint department when she auditioned to voice Minnie Mouse. Because Minnie would be playing a Mexican in this short, it came down to her and one other woman, the only two applicants who spoke Spanish. Garner got the part because she was also willing to sing, which the other auditioner was not. She went on to voice Minnie for over a decade before leaving the studio permanently.
- Versions alternativesOne version censors a scene in which Pete takes Minnie's beer glass away from her, but contains a scene where Mickey is fighting with Pete. Another version is shown the other way around.
- ConnexionsFeatured in Le Club Mickey: Circus Day - Robbins and Bono (1955)
Commentaire à la une
A Walt Disney MICKEY MOUSE Cartoon.
Mickey Mouse - THE CACTUS KID - must try to save cantina hostess Minnie from the foul clutches of bandito Peg-leg Pete.
Although Disney used this basic plot formula many times, this little black & white film is still fun to watch. The South of the Border soundtrack propels the action right along. Horace Horsecollar plays the Kid's faithful steed; Walt Disney provides Mickey's squeaky voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Mickey Mouse - THE CACTUS KID - must try to save cantina hostess Minnie from the foul clutches of bandito Peg-leg Pete.
Although Disney used this basic plot formula many times, this little black & white film is still fun to watch. The South of the Border soundtrack propels the action right along. Horace Horsecollar plays the Kid's faithful steed; Walt Disney provides Mickey's squeaky voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
- Ron Oliver
- 18 nov. 2002
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Détails
- Durée7 minutes
- Couleur
- Rapport de forme
- 1.33 : 1
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By what name was Qui s'y frotte s'y pique (1930) officially released in Canada in English?
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